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Kitchen Metal Counters Wood Cabinets Design Photos and Ideas

The electric range and stove hood are both by Wolf, with a Subzero refrigerator and Cove dishwasher. The Franke sink has a DornBracht faucet and Muuto pendant overhead. The island light is by Lambert & Fils.
Underfoot, the architects added terracotta tile that runs from inside to out, creating further continuity and grounding the home in a natural material. Since being on MasterChef Brasil, Greg has been producing more Instagram tutorials with the new kitchen as set, with Fred and the children often pitching in to help behind the scenes.
The archiects call the approach "extravagant minimalism.
Pink marble is unexpected, but adds the touch of warmth every kitchen needs.
The team used their office kitchen reno to explore bringing mixed materials together in a cohesive fashion.
“I like the darkness of walnut. Other woods tend to yellow if you don’t stain it, while walnut stays true to itself,” Caleb says. The white glass tile backsplash melds with the wall.
Quartzite kitchen island countertops and a wall of off-white ceramic tile between the doorways complement the space's walnut cabinetry and brass surfaces.
On a sought after an idyllic island in the center of Amsterdam an old warehouse, formerly in use as a pillow factory and a garage has been converted to a warm and eclectic family home. The kitchen features a mixture of green tiles, green painted mullions, and exposed wood beams for a warm, soft feeling that contrast sharply with the more industrial stainless steel island. The kitchen island incorporates a stove top and storage, and benefits from natural light from the skylight overhead.
In the kitchen, the couple kept the original cabinets and "beautiful, custom-rolled stainless-steel counters,” says Christine. They updated the island counter, flooring, and backsplash, adding Foro marble, Concrete Collaborative tiles, and Cle tile, respectively.
A new, lowered level at the back of the home hosts the kitchen and dining room, and is accessed via concrete steps that deliberately double as informal seating. “We loved the idea of being able to read the sunken part of the house as an entirely concrete element, which would give the space a feeling of being grounded,” says the architect. “[It also] provides a robust base for the timber frame and a series of plinths on which different activities can take place—such as sitting, cooking, reading, or exercising.”
The architect opted not to wall off the kitchenette and the shower area in an effort to preserve workspace in the studio.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Sánchez</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;"> custom-designed the kitchen cabinetry in black-stained oak and stainless steel. </span>
Earth-toned laminate covers the kitchen niche and shelving for durability. There’s a gas stove and refrigerator, and no running water. “The staff bring you a bottle of water and it's a pump faucet at the sink,” explains St-Laurent.
Launech teaches cooking classes in the house, and the mobile countertops make it easy for her to configure the kitchen to her tastes.
Pros: Stainless-steel countertops are used in restaurants and the food service industry because it is durable, easy to maintain, and scratch- and bacteria-resistant. Cons: Installing stainless steel countertops means being ready for louder cooking, with plates and pots making more noise than they would on other surfaces. And just because the surface is stain-resistant doesn’t mean that it’s impervious to denting and scratching.
Choosing a kitchen or bathroom countertop can be nerve-wracking, and we understand why—they can be one of the most expensive aspects of a renovation, with the added responsibility of impacting the aesthetics of a space. Read on as we work our way through the pros and cons of seven of the most common countertop materials.
Don’t underestimate the power of lighting. “I find the most overlooked feature in kitchen design to be efficient, well-designed lighting,” states Risa Boyer of Risa Boyer Architecture.
"Also consider performance when purchasing an older house, as these properties use a ton of energy,” says Schaer. “Many midcentury homes are minimally insulated and can be costly and challenging to remedy. For example, if you want to add insulation to a roof, you have to add it above the roof because there is no cavity for insulation."
"The structure of House Tokyo was built with wood, which can still be seen in the interior design of the residence," notes Unemori. "The open-plan kitchen and dining area were placed on the first floor where the spacious overhead area is dominated by the framework's wooden beams."
Until Hindman and Carr moved in, the space had never been a home. Carr cooks every day, so the compact kitchen was a natural starting point for the renovation. It features an industrial curving steel counter, which also functions as a breakfast bar. The Scrap stools are by contemporary Dutch designer Piet Hein Eek.
Inside, an open plan makes for a flexible living space on the ground floor. Stairs lead to a sleeping area above.
“The home wasn’t an inexpensive house to build,” says architect Peter Tolkin. “At the same time, it doesn’t have very fancy interior finishing. We wanted to design a modern house with a certain kind of spirit, and we didn’t think that the interior materials needed to be overly fancy. The two places where we really splurged—I think to great effect—were on the tiles in the bathrooms and kitchen, and the copper cladding, which protects the house but also has a very strong visual component to it.”
Exposed Tasmanian oak planks complement the reclaimed brick walls and handmade Anchor Ceramic tiles.
A mirrored backsplash reflects the garden. Spotted Gum cabinetry meets floors of the same material for uninterrupted flow. The counters are stainless steel.
Integrated appliances avoid clutter in the petite galley layout.
Marble covers the backsplash, and new upper cabinets inset with fluted glass were added.
The stainless-steel elements, including the counter and cabinets, were also kept in place for their industrial character. The island was reworked and topped with marble.
The architects reused much of the existing walnut cabinetry, giving it an ebonized finish for contrast.
The kitchen is located in a bespoke timber joinery unit that divides the “living shed.” The timber has been stained black to contrast with the surrounding timber cladding, and brass counters and backsplashes echo the use of brass details throughout the interior. “Brass was a very special material—used sparingly—that has come to be a hallmark of the project,” says architect Ben Shields.
Glass blocks allow soft light to enter the kitchen without distracting from the courtyard view.
The home’s philosophy was inspired by the works of Alvar Aalto and Louis Kahn. The use of locally available and low-cost pine and Carrara stone gives it an almost Scandinavian sensibility, which the couple describe as “Scandi meets carpentry modernism.”
An elongated kitchen window ties the interior to the outdoor deck and bar area and the landscape beyond.
Vibrant blue cabinets brighten up this kitchen and serve as a bold contrast to the exposed brick. The stainless-steel countertop wraps slightly up the wall, and creates a trough for storing items.
This midcentury in Armonk, New York, was the personal residence of Arthur Witthoefft, an architect for renowned firm Skidmore, Owings & Merrill. Witthoefft won an AIA First Honor Award in 1962 for his design, and the home was listed on the Register of Historic Places in 2011 after a meticulous restoration profiled in Dwell. The kitchen was modernized with white lacquer and stainless steel.
The kitchen is inspired by the commercial kitchens that the client worked at in his youth.
Whereas others might look at a board-formed cement wall in a basement and see, well, a concrete wall, Jess and Jonathan Taylor, the design duo behind the L.A.-based firm Taylor + Taylor, were inspired. The couple had purchased a virtually untouched 1952 house in east L.A. and that concrete wall became the backdrop for a new guest kitchen in the basement. "It was really the starting point of the whole design," says Jess Taylor. "As designers, our goal is to always try to incorporate the existing surroundings whenever possible, utilize them in practical ways, and be inspired by them."
Black appliances and fixtures blend seamlessly into the cabinetry. The lack of a large fridge helps give the kitchen its streamlined and minimal appearance. The couple carefully integrated appliances to make the small space fully functional for entertaining. Two CoolDrawers are tucked under the counter to chill wine and store enough food for the weekend. Two ovens allow home cooks to bake bread and roast meat simultaneously. “It just works really well for us,” says Daniel. “Our counter space is at a premium, and we just didn’t need a giant refrigerator. This way, we can have the L-shaped counter. That was a very strategic decision—it doesn’t need to be more than what it is.”
The blush-colored Rojo Alicante marble table in the center of the kitchen doubles as a dining table and kitchen island. A Craiglist score for $200, the table is another kitchen hack conceived by the architects. “It was really a diamond in the rough. Originally, it was a rectangle shape, in a weird ’90s, Italian kind of style, covered in a thick, resin-like finish that made it look almost orange,” says Daniel. The table was honed down to soften its color, and its top was reshaped with rounded corners.
The kitchen showcases stainless-steel countertops, poplar core plywood cabinetry, and birch plywood flooring.
The pale tone of the plywood interior contrasts with the tiny home's black steel exterior.
Open shelves balance out the hard-working wall of cabinetry opposite. "In a space like this, every fraction of an inch matters," says Jonathan, and making room for display and a sense of openness is also important.
The designers developed the preliminary schematic for the tile, then refined the layout on site. "We wanted to bring in six or seven different tiles that were all geometric and make it such that there's no pattern, there's no repeat. Everything is unique," says Jonathan. "Once we had the tiles, [we] laid things out and confirmed and made some adjustments. Everything is just a little different when you get it in real space."
The couple installed a window over the sink to brighten up the dark basement space. The counters are stainless steel, so as to cede nicely into the concrete wall rather than compete with it.
"The wonderful thing about this line of tile from Fireclay is that there's no order minimums," says Jonathan. Considering that the designers were dealing with such a small footprint, this meant that they didn’t have to order more tile than what was needed.
"We started to piece together this idea of a floor that's all just geometry and chaos, but that still honors the monochromatic elements of the space and highlights the bluish-gray-green tones of the original cement walls," says Jonathan.
The kitchen and dining area seamlessly flow from the living room. Designed for entertaining, the space offers a 20-person dining table, three Gaggenau ovens, and a massive central island.
A Taiwanese expat couple purchased a 1,352-square-foot apartment near the river in the Taiwan’s New Taipei City, and reached out to interior design firm KC Design Studio to help them turn it into a stylish, modern home. Industrial elements like steel, brick, and exposed concrete harmonize with vintage accents: in the open kitchen, wood-paneled sliding doors conceal dark cabinetry. These combine with a sleek, dark counter and a shiny, bronze-clad island for a luxe effect.
Concrete floors provide a visual contrast to the pine surfaces that wrap the lower-level spaces. The kitchen counter is made from pine and steel.
Andrew Simpson Architects built the floors, walls, stairs, and cabinetry out of hoop pine plywood. Plywood panels salvaged from the client’s former art installation were used to line the ceiling.
Faulkner specified a Shaws apron-front sink with separate taps for hot and cold water. It was a deliberate move to make it feel like an addition by leaving the plumbing exposed. The industrial look is complemented by steel counters and reclaimed wood cupboards. The steel-framed window opens and overlooks the screened porch, where prevailing breezes come through. A shutter can also be rolled across on the porch side for privacy.
The floating stainless steel countertop is supported by a steel rod to allow the cabinet underneath to roll in and out.
Simpson retained the original roof trusses and left them exposed as a reminder of the building's industrial heritage. The etched panels recycled from Anderson's former art installation line the ceiling above the trusses.
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