Ryan Anderson of RAD Furniture designed the stools as well as the table and benches on the pool deck.

LA-based real estate development company Prime Five Homes sought to create a home that was clean, peaceful, and uncluttered, particularly through material choices and large, open spaces. The central atrium—a recurring element used to expand indoor/outdoor space in Prime Five Homes projects—helps lengthen the living room vertically and creates a light well that fills both the upstairs and downstairs areas with bright daylight.

Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.

In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.

Built-ins reduce the need for furniture.

At the client’s request the kitchen contains neither upper cabinets (Shino can’t reach them) nor an oven (they only used the old one once—to reheat a pizza). A modular Roche Bobois Mah Jong sofa adds a decorative flourish to the living area while maintaining as low a profile as the traditional Japanese furniture.

Where once there was a timeworn 1950s bungalow in the Metropolitan Green Belt south of London, there now stands a dynamic house whose two volumes are joined by a glass atrium. The project was designed by Grant Freeman of OB Architecture.

Yang Yeo and his girlfriend Ching Ian relax on the back stoop of their renovated and radically updated Singapore shophouse—an archetypal building type in this busy port city. “Shophouses brought back memories of our childhood,” says Yeo.

The beanbag chairs and outdoor sofa and chairs are from West Elm and the Case Study Museum Bench is from Modernica.

Two San Francisco art and travel addicts overhauled a loft—and customized a pair of shipping containers—to accommodate their collection and reflect their passions.

The Gregory Residence is a masterclass example in design. Furnished by renowned New Hope woodworker George Nakashima, this private and rustic home offers ingenious versatility over its 1,644 square feet of space on a 10-acre lot.

The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.

The plan of this house in British Columbia by Vancouver architects Heather Howat and David Battersby of BattersbyHowat Architects revolves around a rocky outcropping lush with life that acts as the home’s central atrium. The granite was left intact in order to serve as the nucleus of the courtyard, and the walls of windows draw a wealth of natural daylight into the back of the building.

Crushed stone paths and native plantings, including cacti, wildflowers, and grasses, encompass the surrounding landscape. “We’re nothing but natural,” says Austin. “The cacti, to me, are like pieces of sculpture, each with their own personality. I even named some.”

Resident Nadja van Praag enjoys the view from the deck that connects the trio of structures. The idea for the deconstructed plan was inspired in part by Alvar Aalto sketches of a “peeled apart” summer cabin, says architectural designer Riley Pratt, in which interconnected volumes surround a central courtyard.

To highlight the existing architecture of the home, Hill retained the dark polish of the casement windows, which she finds enhances period details instead of undermining them. In the rear sunroom, the vintage Case Study furniture pieces with Plexiglas bases are from Metro Retro in Houston. A Bourgie lamp by Kartell is atop an old marble end table by Knoll, and the Gan kilim rug pictures a branch motif echoed in the kitchen and breakfast room.

Builder Ross Percival helped finesse the finely tuned detailing that separates the internal slope from the rock outside (opposite). The Pedro wire stool is by Craig Bond for Candywhistle.

Alex enjoys a sun-filled breakfast at the built-in dining table and bench, one of many space-saving designs.

The team had plenty to work with in terms of views: Central Park fans out around the home, with an uninterrupted view of the supertall 432 Park Avenue residential tower in the distance.

Lushna's dwellings are available in Europe and the U.S., though for customers in the latter, prices can vary based on shipping costs and taxes. The baseline price of Villa Massive, seen here, is approximately $9,375. The canvas-lined Villa Air's is $4,453. To see Lushna's full range of products, visit their website here!

According to the U.S. Environmental Protection Agency, food scraps and yard waste make up 20 percent of what we throw away. Composting organic materials keeps them out of the landfill, which cuts down on greenhouse gases, and enriches the soil. To compost at home, make a pile in your backyard, or introduce an indoor bin for throwaways like apple peels and eggshells.

Atelier Oslo overcame nature’s challenges when they designed Cabin Norderhov, a seasonal, eco-friendly retreat on a steep hillside overlooking Lake Steinsfjorden. The home’s layout revolves around a central glass and metal "campfire" that burns beneath a suspended mantel. Since it’s located at the access level, the fireplace's flickering warmth can be enjoyed throughout the house. The surrounding floor is covered with hexagon tiles cut from marble, which transition into tiles made of birch log in the rest of the house.

The Bossel family moved into their home a year ago from an apartment in central Stockholm that was half the size.

itHouse, view from court to bathroom.

Though only two feet deep, the Ikea cabinet Azevedo bought for the guest bath didn’t quite fit, so she sliced off eight inches with a table saw. “It might be unorthodox, but it was just easier, faster, and cheaper to do it myself,” says the former furniture designer.

Once home to a shoe repairer and abandoned for the last two years, Central Hotel & Café received a much-needed makeover from owner Leif Thingtved, who is seen here peering out the one-roomed hotel located above the downstairs café. The single room comes with a bathroom, flat screen television, high-speed internet, Royal Eden bed, and mini bar. Photo by: Martin Kaufmann

Simple utilitarianism at its finest: Takagi's Simple Machines series of stools, benches, and tables in white oak.

The bamboo garden, home to Oscar the tortoise, abuts the walkway leading to the central courtyard.

Architects: Kirsten Murray, Tom Kundig

A departure from the mod-meets-baroque dining room, Turin’s breakfast area is far more sedate. She and her daughter, Helena, have a chat at a Progetto 1 table by Monica Armani for B&B Italia surrounded by four Lia chairs by Roberto Barbieri for Zanotta. The painting behind Helena is by Ricci Albenda.

The lovely cornflower-blue kitchen cabinets in this Brooklyn, New York, home by Elizabeth Roberts Architecture & Design were professionally painted.

This bedside table design was inspired by three different vintage pieces. For this client, our mission was a mid-century look and feel, but we were stuck against tight dimensions in space and running up against road block after road block with sizing of existing, vintage options. I find that it's best to secure your designs in some type of inspiration. All great design needs a "seed"—where are you growing from? What are you referring back to in order to stay on course? How are you utilizing or paying attention to nuance in your designs? Repurposing existing furniture pieces is another way to exercise your creative and win some serious applause on both design and cost-savings. Sometimes your starting place is that ratty old sofa in your living room, or basement. I'm constantly reviewing existing client furnishings and thinking about how we can shift the bases into something more interesting or fresh. It's important to find a great upholstery shop or carpenter who can interpret your designs. You need to establish a successful line of communication with your vendor, and how best they read your designs. Often detailed shop drawings are required, and hand sketches are an incredibly successful tool when trying to elevate your ideals, or communicate to a vendor your desired end result.

A suite of "authentic" pieces from Herman Miller, the Michigan-based manufacturer of furniture by top mid-century and contemporary designers.

360 Table by Saks CornerTrained as a photographer and influenced by Danish design, Dan Saks has long been drawn to simple, vintage pieces. As it became increasingly difficult to source quality originals, he started to create his own designs. The Cape Town designer says he likes to keep “an element of playfulness,” especially in terms of mixing materials. Construction depends on what materials are available: salvaged century-old parquet became the top of a table. Joinery details are exposed on the 360 Table, which comes in a range of colors.

Parque Bench by Neil GranthamUnlike most big cities, Johannesburg has no ocean or major rivers to define it. Yet Neil Grantham’s Parque Bench, made of Zimbabwean teak or other wood, evokes both a small hull and a boardwalk in the best possible ways. Depending on the angle of approach, the curves may not be plainly visible at first. The bench’s three frames are based on the segmental arch, Grantham says. “As the pressure is applied to the top, it deflects that stress down to the bottom,” he says. “The idea was that the slats seem to float in the end.”