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All Photos/exterior/roofline : hipped/siding material : wood

Exterior Hipped Roofline Wood Siding Material Design Photos and Ideas

Redwood siding lends TK. "We wanted to slowly gain some presence in the community and not come in swinging,
A 2024 remodel of the home by LAMAS Architecture kept the exterior of the historic farmhouse much the same.
The modest home is clad in Weathertex panels made from 97% eucalyptus woodchips and 3% paraffin. The cladding is finished with a charcoal-colored stain to enhance street appeal and avoid any unsightly weathering.
Colleen Healey Architecture rebuilt an existing addition and reconfigured the common areas to place the kitchen and dining table right next to the meadow.
In 2020, Isabel and David Yahng bought their Portland house, which was originally designed by architect Saul Zaik in 1963.
Matthew and Holly worked with Best Practice Architecture on the remodel, removing the front addition from the 1950s and reinstating the historic bay window. The remaining addition had to be rebuilt and was clad in tongue-and-groove 3-inch vertical cedar "tight knot
Previously, a screened porch at the front left had been enclosed for additional living space, but wasn’t very usable, so Jobe and Corral converted it back to its original purpose. Now, it serves as a mudroom and a transition space before entering the living room. The preserved board and batten siding is painted Benjamin Moore ‘Kendall Charcoal’ and the ceiling fans are from Schoolhouse. Board-formed concrete replaced the brick, and new steps are formed by limestone slabs taken from the tops of quarries so that the top surface is natural.
To bring sunlight into the lakeside home, Max-A set a giant skylight in one of its roof facets.
No one wanted to alter the stairway, and kept its original design intact. New windows and a clever and sleek wood staircase highlight the private courtyard outside.
After: A new porch roof, made of metal, completes the updated exterior facade. The home’s doors and the garage door are painted a punchy pink, Benjamin Moore’s Rosewood.
The Hut rests peacefully on a bank overlooking the lake.
When a Los Angeles–based entrepreneur and writer were seeking creative refuge, they didn’t have to travel far for inspiration. The duo simply looked to their backyard to erect a 245-square-foot guesthouse on their hillside property in the Los Feliz neighborhood. Nestled just behind their main residence, the tranquil space, designed by Jerome Byron, serves as a work/play sanctuary for the couple and their two children.
The roof profile of the addition is a direct reference to the hipped roof of the main house.
Highly textural traditional 'Yakisugi' burnt timber rainscreen. The char is 100% UV proof and repels water from the timber resulting in a very low maintenance cycle whilst providing a tactile aligator-like texture.
The glass pavilion rises into a peaked roof, one of the cabin's most distinguishing features.
Japanese practice Kengo Kuma and Associates teamed up with Suteki America to build the Suteki House for the 2017 NW Natural Street of Dreams residential construction showcase in Oregon. The home "envisions a new mode of suburban living by combining Japanese spatial principles and a nature-based, American way of life," according to the architects.
The home is connected to a series of five unique outdoor spaces, hence its name: Five Yard House. Each yard takes a different approach to the landscape. The front lawn that faces the street is very orderly and manicured, and it maintains the appearance of the traditional neighborhood. “At one point, we debated a contemporary design for the steps leading up to the front porch—just to hint at the changes happening beyond,” says architect Miguel Rivera. “In the end, however, we decided it was best to adhere strictly to the historic nature of the district.”
The hexagonal backyard studio that Marlin and Ryan Hanson, of Hanson Land & Sea, designed and built in British Columbia, Canada, is clad with western red cedar shakes and a metal roof.
Architect Johan Sundberg looked to Japanese architects like Kengo Kuma for inspiration for the design of a holiday home in southern Sweden. "We call it the Katsura typology, but that's probably sacrilegious," he says. The eaves of the gently sloped hipped roof extend generously in all directions, turning the deck into a covered retreat that’s part veranda, part engawa, the Japanese version of a porch.
Considering the abundance of biodiversity, lifting the structure off the ground was an ecological measure as much as a utilitarian one.
Underneath the cabin’s pine finish lies a weatherproof membrane—an essential consideration granted the region’s rainy climate.
A hardwood roof ensures that the cabin can withstand wintry snowfalls.
The Impluvium Refuge is set in a dense, tall Chilean forest within the Huilo-Huilo Biological Reserve.
“One of the clients’ families has a history of being heavily involved in beautiful vintage wooden boats,” says architect Trevor Wallace. “The timber screen plays off that idea and introduces a very warm, natural material to face the street.” The timber screen wraps around the side window to offer added privacy from the main entrance.
The brick home had a previous addition at the front that was modified during the renovation. “The client was keen on a heavy black aesthetic and we were worried it might feel very heavy, especially as it is the community-facing element of the building,” says architect Trevor Wallace. “So, we lightened it up and made it feel a bit warmer with the timber screen.”
The 1830s mansion that is now Life House Nantucket was originally built by whaler Captain Robert Calder and opened as an inn in 1870.
The hexagonal backyard studio that Marlin and Ryan Hanson designed and built in British Columbia, Canada, is clad with western red cedar shakes and a metal roof.
The house has two distinct wings—the 1885 original "front" and the contemporary "rear." The front part of the home has been restored to the original 1885 floor plan, while the rear of the home was demolished and replaced with a new build that contains the garage, bathroom, and storage on the ground floor, and the boys’ bedrooms on the upper floor.
The Hansons crafted the front door from a single slab of yellow cedar. The circular window in the door mimics a ship porthole and features hand-blown colored glass.
A gravel path leads from the dining area to a bridge across the restored creek that runs along one side of the house.
A centuries-old blue oak stands near the intersection of the two wings of the house, which is clad in Alaskan yellow cedar. “We decided to split the house into two volumes to let in light and allow us to be more nimble with where we placed the structures.” Jess Field, the architect.
Says Krista, “We needed to know that whatever we built would not take away from the landscape.”
On a lot studded with old-growth oaks and redwoods and crossed by a creek, Ian and Krista Johnson asked Field Architecture to design a house that would defer to its natural surroundings.
Lago Vista by Dick Clark + Associates
007 House by Dick Clark + Associates
007 House by Dick Clark + Associates
Architect Charles Warren Callister designed the one-bedroom unit to take advantage of dramatic views from the property. A double-height glass entry looks out onto vistas including the bay and Belvedere Island.
"The exterior is Deep Caviar by Benjamin Moore, but with a slight twist,” says Wei. “In order to create subtle variations throughout this sprawling exterior, I played with the darkness level of Deep Caviar and also changed up the sheen of the paint.”
The traditional estate is incredibly private, yet conveniently located just above lower Coldwater Canyon in Beverly Hills.
From the front, this quaint Victorian cottage appears as it always has, hugging the street and alleyway. As you approach, a quiet addition is revealed beyond.
The concrete foundation was poured on top of a rock outcropping, so that the house would feel like part of the natural features of the site.
One of the client’s goals was a low-maintenance home—so there are no gutters or skylights to clean. The angles of the exterior metal envelope allow forest debris and muck to slide off easier. “The house looks after itself in a way,” says senior designer Czarina Ray.
The firm juxtaposed a standing-seam metal envelope with thin strips of cedar on the exterior. “We're playing with the textures on the outside of the house,” says Campos, pointing out that the cedar brings a “human scale” to the industrial nature of the metal.
Sooke House 01 is located on a multiacre lot on the southern tip of Vancouver Island in British Columbia, surrounded by Douglas fir, Sitka spruce, and cedar trees. At the entry, Campos Studio split the roofline to accommodate an existing tree.
At first glance, the structure appears to be a single-story home. The surrounding trees create additional privacy as the yard begins to slope toward the rear.
The project name, Summerhouse T (or Sommarhus T in Swedish), speaks to both the first letter of the client's last name, as well as the T-shape of the home, which was integral to creating indoor/outdoor rooms.
Aqua Wellness Resort features minimalist cabins on a private inlet of Nicaragua’s Emerald Coast. This is a great place to truly unplug and enjoy “barefoot luxury” in your private tree house.
The view from the backyard.
In addition to the home’s interior goals, the exterior was transformed with a modern facade.
The distinctive facade references a traditional thatched English cottage.
Located in a coveted, beachfront, gated community, this Malibu home is surrounded by ocean views and miles of walking trails.
This roadside motel is no longer a forgotten lodge.
Nine shipping containers form the basis of this new multigenerational house near Denver.
The Inlet House exterior is marked by cedar shingle wood siding and ample glazing that emphasizes the views and the feeling of living in a wildlife sanctuary.
Though this two-bedroom house did not have any accessible features, its layout presented the Lavenders with the chance to rekindle one of their favorite shared pastimes—the rehabilitation of old homes.
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