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All Photos/exterior/roofline : gable/siding material : brick

Exterior Gable Roofline Brick Siding Material Design Photos and Ideas

A 2024 remodel of the home by LAMAS Architecture kept the exterior of the historic farmhouse much the same.
A triangular cutaway in the barn's volume creates a transitional space between indoors and outdoors and fills the interior with natural light.
Fittingly, the brick was painted "Country Living
The new extension wraps around the existing home, creating a thoughtful dialogue between past and present, and opening the home up to the landscape and the constant song of running water. “We wanted to work sympathetically with the existing home and mill,” says homeowner Miriam Nabarro.
The covered porch is another place that people can work, brainstorm, or have break-out sessions. The company’s motto is affixed to the boundary wall, reading: “If it tells a story, it’s art.” Stories are about connecting, says Jhanvi, as is architecture.
LA-based commerical director Jared Eberhardt purchase this desert property near Joshua Tree just before the COVID-19 pandemic hit. It contained a small, downtrodden house that needed a full renovation to become habitable. Over the course of the pandemic, Jared transformed it into a midcentury-inspired getaway that combines the original 1958 house with a fresh, new addition.
SHED also installed a large dormer on this side of the building to fully accommodate the new upper level plan, and get views of the apple orchard on the other side of the building.
SHED converted the side door into the front door, adding a new entry sequence with a patio, landscaping, stairs, and a metal awning to protect the porch. Wide stairs and a patio lead down to new sliding glass door in the basement, which now has utility spaces and a media room/office. Many of the original window openings were kept on this façade and given new Andersen E-Series units. Two smaller openings were bricked in.
Situated outside the village of Burrowbridge in Southwest England, this historic property occupies the site of a 19th-century Baptist chapel.
The 1930s home in London that architect Grant Straghan remodeled for himself and his family is enlivened by blue-green cement tile exterior cladding.
Simon Knight Architects turns a historic building into a contemporary family home by sprucing up its exterior and rejiggering the ground floor.
The design team painted the exterior a dark, charcoal gray and sliced a two-story volume through the facade, removing part of the second floor to create the double-height space.
Built as a farmhouse in the 19th century, then used as a dacha in the Cold War era, the structure was most recently transformed by architects Sierra Boaz Cobb and Christine Lara Hoff. <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Hoff says she and Cobb saved about 40 to 50 percent of the house’s existing elements—notably the original brick facade, which now contrasts with new solar roof tiles from Solteq.</span>
The front garden area is terraced with custom Cor-Ten steel retaining walls with an oxidized patina. The plantings are inspired by the couple’s love for Palm Springs.
DGN Studio renovated and extended a semidetached Victorian terrace near London Fields for clients Rebecca and Roman. The rear extension is defined by a material palette of exposed concrete and white-oiled oak, which was chosen for its durability, as well as its warm texture and grain. “We are very aware of the dialogue around the sustainability of concrete as a building material, so we were keen to make sure its use was related to a specific set of practical tasks for which it would stand the test of time,” says DGN studio cofounder Geraldine Ng.
House Proud: Sylvain Duquette in front of his award-winning home.
Lark Rise rises from the sea grass on a quiet pedestrian street.
"The original Californian bungalow was advertised as ‘quiet at the end of a cul-de-sac.’ We wanted to change that," said Welsch. The new home is divided into four zones, with the existing bungalow now dedicated to children and guests with two bedrooms, a playroom, and bathrooms. "Every zone has its own outdoor space," said Welsch; the front room opens onto the front yard.
The Villacarillos freshened up the exterior with a sleek two-tone facelift. The wood siding is painted Sherwin-Williams Caviar, and the brick is painted Sherwin-Williams Pure White.
The eaves are finished with cumaru, a Brazilian teak, and a new mahogany front door warms up the black-and-white facade. “It reminds us of places we’ve been on vacation,” Ron says of the wood. The design team swapped the soffit and porch lights with midcentury-inspired fixtures.
Rather than demolishing the neighboring remains of a 17th-century factory, Will Gamble Architects incorporated the ruins into a Northamptonshire, England, home that blends old and new.
Carter Williamson Architects preserves the heritage facade of a 100-year-old dwelling in Annandale while imbuing the interiors with pastel hues and rounded details.
This warehouse conversion by Ian Moore Architects also features an equine genetics laboratory and an enormous garage filled with classic cars.
The rough brickwork at the front entry was also retained, however a high fence was removed and replaced with a concrete bench that’s offered as a welcoming rest spot to the community.
“Union House is a place of memory, a home the family had lived in for years,” say the architects. “Memory is important and heritage can be lots of fun. Demolishing a building and erasing history is far too easy.” The Dutch gable is also an identical copy of the Union House’s neighbor to east.
Gresford Architects restored and renovated this historic family homestead in South East England. The old barn had been transformed into a residence, but the structure lacked its original barn-like character, which the owners wanted to embrace.
A new brick staircase leads up to a rooftop terrace above the new section. A portion of the Victorian home was also remodeled to tie the old and new spaces together.
The disorderly nature of the ruin is juxtaposed against the modern extension and Victorian-era residence. The facade brickwork was largely completed using reclaimed materials, allowing the new section to sensitively blend into its surroundings.
Located about an hour northwest of London in Northamptonshire, a Grade II listed Victorian home was extended to encompass an adjacent cattle barn and historic ruin.
Will Gamble Architects revives a crumbling, 17th-century structure with a svelte addition of steel, brick, and glass.
The dark brick facade peels away into the garage, creating an interior stairwell. The garage door, like the front door, is crafted from black steel.
The warehouse-inspired front door on the southern side of the home is crafted from black steel and features a solid steel screen that slides in front of it, creating a completely blank facade.
The neighboring property has a beautiful, established garden. The gridded windows of the Park Terrace house—which take inspiration from the industrial warehouse archetype—are positioned to capture snippets of this garden, in effect borrowing the landscape. A small terrace has been cut out of the gable form to create a division between the master bedroom and the living area.
The southern facade of the home—the entrance—is a completely blank facade, which gives the home a private aspect, says the architect. The brick facade curves into the interior of the home.
The previous home on the Park Terrace site was damaged in the earthquake and subsequently demolished. Architect Phil Redmond, director of PRau, used this project to explore an archetypal industrial form which was lost as a result of the earthquakes.
When renovating a centuries-old beach cottage in Cornwall, architect Adam Casey of Watershedd covered one of the existing additions in vertical black timber.
Determining the structural integrity of the original brick dairy was paramount to the design of the new addition perched above. The existing brick walls, footings, and roof structure were all assessed, and steel features prominently in the extension to ensure stability.
The living space extends out into the small backyard through large bifold doors. Horizontal weatherboards and vertical Mini Orb steel cladding creates a graphic, minimal rear facade that contrasts with the surrounding inner-city environment.
From the rear laneway, the parapet and veranda awning echo the original pitched roof, carrying the essence of the old house through to the addition.
The original building had been painted red and the client initially wanted to expose the old brickwork. After removing the paint, however, it was discovered that the entire facade was coated in tar. As a result, the decision was made to repaint the facade in cream. The new volume is hinted at by the portion of black framing that is visible at the side of the home.
Sandwiched between two ornate Victorians, the London home designed by Alma-nac remedies a midcentury blunder with a contemporary correction.
Roof terraces connect the two volumes on the lot.
The tile-clad addition sits in the former yard of the wedding room, and now hosts the entry, dining room, and kitchen.
Wonder Architects skillfully integrated the new addition with the older brick structure on the site, as well as the surrounding homes. The original structure held a wedding room that was built in the 1980s.
An aerial view of the restored roofs with the curving plane of the veranda cover tucked beneath. The designers used polymer mortar for the finish of the veranda roof, "which is smooth and forms contrast with the adjacent textured tile rooftops," notes the firm.
The curved cornice at the veranda roof was built on site.
"The design team restored and preserved many valuable historical elements such as the gateway and carvings of the arched door opening," says the firm. Through the arched door is a reception room and an equipment room.
The restored facade of the Quishe Courtyard by ARCHSTUDIO references the melding of traditional and modern architecture within. "Qi" means "seven" in Mandarin, and "she" means "house," giving the project its name; its address in the hutong is seven, and it originally boasted seven pitched-roof buildings.
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