53 Exterior Gable Roofline Shingles Roof Material Design Photos And Ideas

The gabled roof on Enough House puts it in conversation with the adjacent Troop barn and Cheboque schoolhouse, but its Cor-Ten steel exterior makes it a unique addition to Shobac.
"In the western facade of the building the individual characters of the different units are most obvious, while in the eastern facade (seen here) their coherence and the cabin as a whole is more prominent," write the architects.
A private gate fronts the entrance to Red Oak Manor.
The familiarity and warmth of the burned finish juxtapose the more contemporary fritted glass that wraps around the corner of the building.
The house’s materials are also influenced by Bavarian-alpine traditions — mainly larchwood in form of tongue-and-groove boards for the façade and as shingles on the roof.

Photo by Sebastian Schels
“The stable/garage was built with two intersecting gable roof forms," Schaer says, which didn't match up with the inteiror spaces within. “In order to provide a unified, singular main space, we dropped a flat ceiling at the entrance and linked it up with the main gable visible from the street.”
This renovation was designed for a young family by Glasgow-based architect Andrew McAvoy of Assembly Architecture. McAvoy followed the original U-shape of the former residence by building two new energy-efficient houses, the first of which combines the original granite building with a new extension to provide an open-plan living area and three bedrooms.
The brick exterior of the main house.
A wood trellis offers coverage and marks the entry to this 700-square-foot cottage ADU.
© Vojteck Ketz courtesy of Marta Nowicka & Co.
Originally, glass doors opened to the deck, but after years of gusty winds, it was decided that a side entrance, protected by a sliding steel door, would be the preferred entrance.
bank of double-hung windows in old garage
front entry door
Wynants grew up sailing, and he created the piece to suggest “a moment of togetherness...the way one might gather at the back of the boat, to talk and drink.” A side view of the house captures a glimpse of what he calls “the monolith.”
“If you want to respect the old, the contrast should be brutal. I want to be very clear what is old and what is new.” —Dirk Wynants
The owner of this modern, two-bedroom holiday home in Germany’s Black Forest is a carpenter and joiner, so it’s no surprize that wood is the star the design. Most of the wood for the core structure and interior finishings of the house were sourced from the nearby beech and pine forest.
The result: a house that looks like it’s just been dropped into a field, casual, with nary a path leading up to it and a front door that can barely be detected on the red-cedar-shingled facade.
The 1912 Craftsman bungalow appears unchanged from the street, part of Cheng and Snyder’s strategy to maintain the neighborhood’s existing architectural character and appease local preservationists. A dark-gray finish from Glidden custom matches the home’s original color and contrasts with the bright interiors.
The Village features gardens and orchards created by Tim Goss, Kia Micaud, and HomeGrown Organics. No roads run within the community, so it’s completely car-free (a parking lot sits at the far end of the site). An abundance of bicycles has meant a shortage of bike parking, an element of the plan the Grow team acknowledges they could have done differently.
Conrad used sprinkler pipe material for the railings on the deck, which is made of ipe from West Wind Hardwood.
Untreated for forms a sunshade on the exterior.
While the slate-clad northern facade has few windows and a steeply pitched roof, the southern facade is dominated by glass with the solar-panel-clad roof strategically angled to catch the sun.
Though the lane on which the Japanese House sits is off the main street, a rock wall affords the small yard quite a bit of privacy. It also nicely frames the second floor of the house from street level. Have a look at the traditional architecture nearby in the reflection in the corner window.
A new cedar deck and facade face drought-tolerant plants and a gravel hardscape, implemented by Cheng with help from Indra Designs.
Rear facade
One of the local smokehouses, which served as inspiration for the house's massing
The newly built house, just feet from the water’s edge, occupies the space where a decaying farmhouse once stood.
The red chimney and strategic diagonals throw accents against the simple silhouette.
Stringent building regulations didn’t cramp the designers’ style. Sharp angles, tall windows, and varied material textures left room to make a striking architectural statement.
Building atop the foundation of a previous greenhouse was a cost-cutting measure; it allowed the project to be considered a renovation and thereby qualify for a temporary tax reduction. Its traditional, gabled form also pays homage to the original structure.
Even the pool is the result of mixed influences: Andrew wanted a series of shallow, gently sloping hangout zones; his wife, Amy, a former competitive swimmer, needed a full lane deep enough for laps.
By building upward and outward, YH2 Architecture added to a former lumberman’s shed without harming the nearby trees. The new 1,300-square-foot home is tucked away in southeastern Quebec.
With one side of the house closed off, views are directed through the glazed south and west facades to the grassy clearing beyond. "We planted tens of thousands of blue bells and lots of rhododendrons," Oostenbruggen says of the green space. "The setting developed over time."
Every year Marlboro College, which is located in rural Vermont, hosts the Marlboro Music Festival in which 80 of the most prominent classical musicians join together and work to hone their craft. For seven weeks, they work, live, and rehearse together and also host select public performances. Since its inception in 1951, the program has steadily welcomed more people to participate, outgrowing its accommodations. Enter architects Joan Soranno and John Cook of HGA who developed five site-specific cabins that tread lightly on the land and respect the festival's roots. Soranno and Cook created deceptively simple-looking structures that update the regional vernacular. 

"In Marlboro, you get a different way of not only looking at the world, but also looking at life," stated Mitsuko Uchida, the festival's current artistic director, in a release. "If you spend weeks together, day in and day out, eating meals together, chatting and sitting around, you begin to get the basic outline of what it means to be a musician. Ultimately Marlboro is about the concept of time. We have time to rehearse and time simply to think."
The house features one master bedroom upstairs, two guest bedrooms, and two separate guest apartments downstairs that Wynants rents out. “Farming has become a very difficult trade. Prices are historically low and agritourism is something invented to give farmers the possibility to have an extra income,” says Wynants, who grows hops on his land. “The formula has had huge success; in the last years the tourism capacity of this area has multiplied many times.”
“To be able to respect the ‘massiveness’ of the roof, making bigger windows would be wrong, because we would lose the character of the farm,” Wynants explains. “Therefore, I was looking for other ways to collect light. At this spot you had the big barn doors at both sides: This is the economical axis of the farm. This I kept, as my own design office is right under this volume. It keeps the sun out, so I have a splendid view when I’m working—I never need sun shades.”
A bright-yellow “R” sign, from a truck that used to deliver furniture from Jens Risom Design, sets off the southern facade. When Jens designed the house, he stipulated that he wanted cedar shingles, not the asphalt ones that came with the original design from the catalog.
On the north-facing facade, it’s easy to discern where the original glass doors used to open directly to the deck. In spring of 2012, Block Island contractor John Spier replaced the entire wall of glass panels.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.

Zoom out for a look at the modern exterior. From your dream house, to cozy cabins, to loft-like apartments, to repurposed shipping containers, these stellar projects promise something for everyone. Explore a variety of building types with metal roofs, wood siding, gables, and everything in between.

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