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All Photos/exterior/roofline : curved/building type : house

Exterior Curved Roofline House Design Photos and Ideas

Kudoo is built on a two-cent plot—a unit of land measurement, commonly used in parts of South India, equivalent to 1/100th of an acre. Half of the site is occupied by the built form, with a landscaped border surrounding it. A major challenge was the location of the home, 100 metres from the main road. This meant that everything had to be carried to site by hand and added to the construction cost.
Barache describes the metal roof as essentially a deformed plane, placing an apple beneath a sheet of paper to demonstrate his point. He chose zinc for its malleability and the high level of the craftspeople who work with it.
Marie Saldivar’s experimental metal-clad dwelling is the perfect place to host family—and proof of concept for her new prefab company.
Dellekamp + Schleich built this C-shaped weekend getaway in Valle de Bravo with a central courtyard that prioritizes play.
It was essential that the home felt nestled into the landscape, rather than perched on the edge of the dramatic clifftop site. “My client had commissioned a house design that was rejected by members of his family—the formidable force that is his sisters,” says architect Belinda George. “They felt the site deserved a more considered approach. As I had worked for Tom before on more urban projects, he asked me to design a bach for him and his family. He wanted it to feel relaxed and connected to the land.”
The 1,400-square-foot Seneca features white-painted wood cladding punctuated by a bright red front door with an original porthole.
The floating home, originally constructed in 1968 by Forbes Kiddoo, that Marka Hansen and Joe Brubaker recreated with designer Michelle Chan and builder Steve Crutchfield of True North Construction bobs in a berth at the historical Waldo Point Harbor in Sausalito, California, just north of San Francisco and the Golden Gate Bridge.
Dwellings Winner: Casa Ter by Mesura Mesura designed a retreat for a family of five in the Catalonian countryside, utilizing regional and artisanal building techniques and local materials for a sustainable home that blends with the landscape.
C.F. Møller Architects implements an abundance of brick in an homage to another of their projects, the elegant Aarhus University.
Organic lines mimicking those in nature can be soothing. Architect Tono Mirai, known for his "earth architecture," was inspired by the lush context for the design of this holiday home in Nagano, Japan.
CLT can't be exposed to weather and water so another material, dark matte Colorbond steel, was used for the dramatic facade.
Located on a 19-acre working farm, CLT House pays homage to typical agricultural language with its pitched roof.
“Our creative process is rooted in a process of questioning and listening, and we design our architecture based on values, not a particular aesthetic style,” says architect Benjamin Iborra Wicksteed. “It is why this home is almost tailor made for our client.”
Working with local professionals, materials, and techniques helped the project stay on budget, as the home was designed and constructed based on resources already present in the region.
Carefully placed windows punctuate the minimalistic walls, creating a sensitive relationship between the interior spaces and the landscape.
The clay used to construct the walls doesn’t just have a structural role— it also creates various textures that help the home blend into the surrounding landscape. To keep within budget, the structure of the home was kept as simple as possible—with the notable exception of the soaring vaulted ceiling in the master bedroom.
“Genius loci is one of our approaches to sustainability,” says architect Benjamin Iborra Wicksteed. As a result of this approach, materials were sourced hyper locally—such as stones from the River Ter.
“We investigated past examples—the works of the maestros who did a similar exercise in investigating and understanding vernacular Mediterranean architecture in order to interpret it to the way of living of their time,” explains architect Benjamin Iborra Wicksteed. “Architects worth mentioning here are Josep Antoni Coderch, Josep Lluis Sert, Lanfranco Bombelli, Barba Corsini, and Antoni Bonet i Castellana.”
The asphalt shingles that clad the exterior curve into the window openings, and an awning over the entrance appears to peel away from the facade. These details create the appearance of a skin wrapped around the entire building. The rammed earth walls are combined with seven-inch-thick wool insulation for thermal comfort.
The window and door frames are mainly crafted from cedar. They sit within the curved shell, which has deep eaves that protect the interior from the sun and reference traditional Japanese architecture.
The home is elevated about four feet above the ground to avoid moisture from the forest floor. The entire ground-floor living space opens up to a timber deck through sliding glass doors.
The home’s entrance is a timber door set into the “shell.” This leads into the heart of the ground-floor living space, which opens out to a timber deck.
The clients requested “architecture that is unusual, beautiful, and does not make you feel old in time.” Over the years, the timber and earth used to construct the home will develop a rich patina.
The shell is closed to the west and north elevations and open to the east and south elevations—an arrangement that responds to the location and orientation of the house in the forest.
The shingle roof juts out over an ample timber deck adjoining the living area, extending the living space outside.
A shingle roof is “draped” over the curved structure, connecting the interior and covered outdoor spaces. The shingles are crafted from Alaskan yellow cedar, which doesn’t require any treatment. The home operates off the grid, so rainwater is collected from the roof for drinking.
The cedar-wrapped house, designed by BriggsKnowles A+D, is gently curved at the center.
The dining room is set in the center of the triple-height space at the heart of the home. A replica of the Oval dining table by Saarinen is paired with Wishbone chairs by Carl Hansen and Sons. Davide Groppi’s Moon pendant lamp hangs above.
The highly insulated home is fitted with triple-glazed windows throughout, as well as 150-mm-thick Celotex insulation.
The home’s facade is covered with over 41,000 Kent-style tiles that were locally produced with traditional craft skills in six shades—from dark red at the base to light gray at the top.
Each roundel is topped with a skylight to bring in daylight, while taking advantage of the stack effect for natural cooling.
Bumper Oast’s frame was built with thick timber modules topped with prefabricated cones craned into position.
Located in the protected countryside of Marden, the nearly 2,500-square-foot Bumpers Oast house pays homage to the Kentish vernacular.
Oasis Tiny House, clad in teal-painted plywood and a metal roof that's pitched in the front and curved in the rear, was designed and built by Ellie and Dan Madsen of Paradise Tiny Homes in Keaau, Hawaii.
The design team made extensive use of Australian hardwood—both internally and externally— to reference the rural setting.
The main living space leads onto a side deck with a timber canopy, providing a sheltered outdoor space for dining and socializing.
A garage is located at the rear of the home. The large overhang of the roof provides shading to the bunk room windows.
Raimon Torres was the son of the pioneering modernist architect Josep Torres Clavé, who died during the Spanish Civil War. Born and educated in Barcelona, Torres followed his father’s example and went on to collaborate with Josep Lluís Sert and Erwin Broner, among others. In 1961, soon after graduating from architecture school, Torres moved to Ibiza and spent fifteen years living and working there as well as documenting the island and its buildings as a photographer, with its vernacular fincas serving as a key subject. Here, traditional materials and references splice with modern forms, as bare stone meets whitewashed concrete. The residence sits on a rugged hillside and faces the ocean, including a series of striking rock formations jutting out into the water.
The second-floor porch was designed to sit under the branches of a large oak.
Rollingwood Residence cascades over the ledges while keeping existing trees intact.
An aerial view of the restored roofs with the curving plane of the veranda cover tucked beneath. The designers used polymer mortar for the finish of the veranda roof, "which is smooth and forms contrast with the adjacent textured tile rooftops," notes the firm.
The curved cornice at the veranda roof was built on site.
Studio Ben Allen was inspired by the textured brick "landscape" of the neighborhood. The same type of local, handmade brick from the existing home was used for the extension, creating an almost seamless transition between the two.
"The adjacent detached garage continues the home’s sculptural language with a curving roofline and high windows," says architect Olson Kundig. Inside, vaulted ceilings further echo the bright and airy interior of the home’s main living space. The garage provides an open workspace that supports the owner’s passion for restoring classic cars, as well as weather-protected storage. Just outside, a defined entry and forecourt create a multipurpose, functional space for both parking and play.
In the Brisbane suburb of Paddington, architect Scott Petherick converted a 1920s structure into Jacaranda House, a "Queenslander"-inspired home for his family on the upper level, with his workshop below. In addition to striking woodwork and filigree upward-sloping eaves that filter sunlight into the kitchen, there are perks like an intimate courtyard and alfresco fireplace.
On a plateau three hours outside Mexico City, architect Fernanda Canales created a wild, nature-fueled vacation home for her family surrounding four courtyards. Celebrating the flat, rugged environs, she melded a facade of red, broken brick with warm concrete and wood interiors. To add extra height, she turned to terra-cotta tiled barrel vaults.
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