Exterior Metal Roof Material House Flat Roofline Brick Siding Material Design Photos and Ideas

To the front, the gardens are laid around a central lawn with a circling driveway which provides parking. There is also a garage for family cars.
It’s hard to believe that, only two years ago, Jessy Moss and Steve Jocz’s glistening white home in Indian Wells, California, was being marketed as a teardown. Jessy, an interior designer who used to be a singer/songwriter, and Steve, a realtor who was once a member of the band Sum 41, saw the stucco-clad home’s potential and made it their mission to fix 50 years of decay. As the project unfolded, they researched the home’s origins, turning up troves of documents that strongly suggest it is an unrecognized work by midcentury icon William F. Cody. The circular concrete pavers in the driveway, replicas of originals, are reminiscent of pavers that Cody used for a motor court at another Southern California home.
Neufeld chose brick for the addition so it related to the existing house, but wanted to underscore the temporal contrast between the two parts of the building. “Let new be new, and old be old,” says Neufeld. The switchback layout of the slim-lined steel staircase doesn’t encroach on the yard.
The long, low home sits unobtrusively atop the ridge. Large areas of glazing open the home to the landscape to the south.
The simple, affordable material palette allows the home to sit comfortably within the natural landscape.
The home is oriented to take in views of Mount Canobolas in the Great Dividing Range. With an elevation of 4,577 feet, the extinct volcano is the highest mountain in the region.
Floor-to-ceiling glazing ensures natural light is plentiful throughout the home. The silvertop ash cladding on the exterior will develop a silver-gray patina over time.
The home is respectful to the rural site and champions the view. Thanks to the prefab construction, there was very little earthwork and minimal site impact. This approach also helped to eliminate potential weather delays—which would have been likely as, owing to the high altitude, the area frequently experiences frost and snow in winter months.
BVDS Architecture didn’t do any work to the exterior, apart from the box dormer which is clad in tiles to meet permitted development requirements. "From the outside, I think some people would regard the extension as a mistake, as it defies logic to build something that is only half a floor high," says architect George Bradley.
The mostly blank brick-clad exterior belies the complex geometries that inform the multilevel plan inside. The windows are arranged to frame specific views—including the steeple of the nearby St. Michael’s Church—while retaining privacy from the street.
New entry with easy access for all
The box-shaped extension plays off the familiar farmhouse typology, creating a series of intriguing contrasts.
The brickwork of the original gabled farmhouse was painted white, referencing the local vernacular, and a new corrugated metal roof was added.
Building the addition upward instead of outward allowed for more space and better views without excavating across the hilltop.
The new addition opens the interiors to the garden with floor-to-ceiling windows and easy access to the yard.
“Everything was in fairly bad repair,” says Jessy Moss, recalling her first impression of seeing the 1961 post-and-beam home on Zillow. But one feature that caught her eye—and hinted to her that the house might be worth a visit—was the cluster of circular pavers that enlivened the driveway. Later, after she and her husband, Steve Jocz, bought the home, they had new concrete pavers laid in a similar pattern.
The firm’s goal was not to erase the existing home, but to "strengthen the initial intent of the architecture," says StudioFour director Sarah Henry. "The existing external brick language was identified as a strength to the original design. We wanted to build on this strength and let the architectural language bleed inside to inform the interiors." The external brickwork has been rendered with a tinted sand render, color-matched to Porter’s Paints ‘River Stone.’
The front of A Mews House was allowed a 10-foot setback, similar to existing homes on the street. A utility pole proved too expensive to relocate—it would have cost $18,000 to do so. “That pole dictated the way a car would access the property, thereby dictating the car pad location and eventually heavily influencing the location of circulation in the house,” says architect Alex Wu.
The solution to the problem of the telephone pole was to place the entry at the side. “Putting the home entry on the side allows one to create full rooms at each end of the house without running a hallway through them,” says Wu.
The solution to the problem of the telephone pole was to place the entry at the side. “Putting the home entry on the side allows one to create full rooms at each end of the house without running a hallway through them,” says Wu.
Unlike other new houses in the Garden Oaks/Oak Forest neighborhood of Houston, the Gottschalks embraced a simple, functional pavilion.
"The wood exterior was selected to make the house blend in with the landscape," Troyer says. "I wanted something that didn’t require painting and aged in a way that would provide a degree of richness. " He envisioned a garden that better surrounded the home, and a more modern exterior. He used ash wood slates of various dimensions from Thermory USA, which were heat-treated for a more sustainable finish.
New exterior facade while modern, nods its head to the historic character of the neighbourhood
Casa JB at night.
La Vinya, PGA Golf Resort | Studio RHE
The home is surrounded by extensive gardens and mature trees.
The private estate is located off a country road just over one mile from the historic town center of Godalming, England.
The sprawling property has a strong connection to the outdoors.
This contemporary dwelling breaks away from the typical vernacular of the neighborhood.  Although boldy modern in aesthetic, it is restrained enough to respect the neighboring homes.
Recycled red bricks are used for sections of the exterior walls.
Exposed steel, concrete soffits, and cement-washed bricks were been chosen as key components of the home due to the materials having low-maintenance, yet being extremely durable.
House and art gallery, this private residence is full of special moments of awe and admiration.
At night, the transparent volumes appear like lanterns set atop the limestone plinths.
At night, the exterior sculptures take on a dramatic appearance.  The home appears as a sculpture in itself, filled with colorful pieces to admire.
The second guest suite, clad in cedar and aluminum, extends over a horizontal limestone wall.
Dramatic in its horizontal expression, this private residence appears to extend into the landscape via deep overhangs and visual transparency.
There are two nearby dams on the farmland that provide drinking water for the off-grid home.
The flattop Eichler at dusk.
South Elevation View
Massive wooden fence, which is a stripe, is on the background of a brick house, which is a square.
Design provides a delicate layer of privacy, capturing the coastal breezes from all rooms and successfully bringing the outside in.
The home presents a narrow facade to the street.
From the street, a discrete metallic wall features two green steel doors on either side.