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All Photos/exterior/building type : mid century/siding material : wood

Exterior Mid Century Wood Siding Material Design Photos and Ideas

The cantilevered addition was kept, and another bedroom added to the second floor over the existing house. Parks collaborated with Fort Structures to ensure that the third addition would sync with the rest of the house, replicating the window placement to make them sit between the roof beams, while still meeting current code and insulating the ceiling.
The architect removed the clunky addition enclosing the front door and reinstated the original door and sidelites. New and restored board-and-batten siding is painted Roycroft Bronze Green by Sherwin Williams.
LAMAS Architecture kept the peaked roof in the recent renovation, as the clients had no desire to change it back to a flat roof, and wanted to generate their own electricity. Now, there's a large solar array on the south-facing roof of the Honer addition.
The Luberas didn’t use a general contractor or architect, but they did enlist the counsel of legendary Detroit designer Ruth Adler Schnee, who in 1964 helped Girard plan the color scheme for a streetscape in Columbus, Indiana. Window alignments create long views through the house and atrium.
In 2020, Isabel and David Yahng bought their Portland house, which was originally designed by architect Saul Zaik in 1963.
The 1958 home in Southwest Portland has an unassuming cedar-shingled exterior.
For an escape from bustling San Francisco, architect Craig Steely and his wife Cathy have created a modernist getaway on a lava field next to a black sand beach on Hawaii’s Big Island. Fitted with floor-to-ceiling windows that look out over the ocean, the steel-framed home is one of several homes that Steely built on the recently active lava field.
For a family of four, Ueda Design Studio restores the luminous-yet-drafty midcentury home of Alden Mason with warm materials and sensible restraint.
The same large format porcelain was used for the exterior patio, which is flush with the thresholds on the sliding glass doors. Blaine added a small bumpout at the end to accommodate a larger primary suite shower.
Blaine Architects capped the front addition to this Eichler home with a shed roof that mimics the slope of traditional Eichlers, but slants in the opposite direction to make it distinct. The wood screen is made from Accoya.
The front garden area is terraced with custom Cor-Ten steel retaining walls with an oxidized patina. The plantings are inspired by the couple’s love for Palm Springs.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
The goal with the Lodge was to simplify the original structure to focus the experience on the natural setting and framing the coastline's exceptional views.
The couple initiated the renovation, despite not knowing much about Rummers, or remodeling. “We were novices,” says Fay, who researched the architectural features of Rummers to be able to restore its key features, like the roofline.
“With the restoration and reopening of The Sea Ranch Lodge, we are excited to honor the vision of the original developer and original group of architects including Al Boeke, Lawrence Halprin, and MLTW (Charles Moore, Donlyn Lyndon, Whitaker, and William Turnbull) – stewardship and respect of the land, sustainability for The Sea Ranch and creating a gathering place for all Sea Ranchers,” said Kristina Jetton, General Manager, The Sea Ranch Lodge.
Risa Boyer Architecture guided the whole house remodel of this 1955 Portland home. Lillyvilla Gardens executed a new landscape plan for the property, including this updated entry sequence, while Boyer added more glass to suit the midcentury façade.
This Eichler is wrapped with vertical western red cedar. One of the reasons Klopf Architecture selected this material is because of its low-VOC stain. It matches the color of the original siding, which had sadly seen better days.
Klopf Architecture's modest 72-square-foot addition at the front of the home blends in with the original structure while giving the owners a greater sense of openness in the master and hall bathrooms. Inside, the re-imagined great room now features dining space.
In the South Bay, San Jose–based BLAINE Architects expanded this Eichler by transforming the old carport into an atrium. A folding glass NanaWall system allows the owners to watch their kids in the playroom from the kitchen.
The Villacarillos freshened up the exterior with a sleek two-tone facelift. The wood siding is painted Sherwin-Williams Caviar, and the brick is painted Sherwin-Williams Pure White.
The eaves are finished with cumaru, a Brazilian teak, and a new mahogany front door warms up the black-and-white facade. “It reminds us of places we’ve been on vacation,” Ron says of the wood. The design team swapped the soffit and porch lights with midcentury-inspired fixtures.
Rather than expand their midcentury home, Anthony Marks and his partner built a guesthouse on the unused half of their double lot, in Denton, Texas. The gated fence borrows from the material palette used for the dwelling. “It’s like an introduction, or preview, to what lies beyond,” says architect Michael Gooden.
VonDalwig Architecture connects the dots to give a 1967 home in Bedford, New York, a new lease on life.
Front door and reading nook
Front exterior
Addition with cantilever
Front exterior
Entry and courtyard
Rear exterior
The 1956 home sits on a tree-filled lot in Connecticut, and was originally designed and built by local architect Cyril K. Smith, who studied under Louis Kahn.
A generously-sized, comfortable deck lines the water side of the cabin.
The “River Cabaan” is just steps away from the Wilson River and a 80-minute drive from Portland, Oregon.
An exterior view of Maison Louis Carré as it delicately integrates into the surrounding landscape.
Aalto designed Maison Louis Carré with an immense lean-to roof made of blue Normandy slate, "pitched in imitation of the landscape itself". The facade is built from white bricks and marble, while the base and parts of the walls are Chartres limestone.
The pared-back approach of the remodel begins with the front entry, where horizontal bands of orange-toned cedar were replaced with a refined wood screen.
Located in the sylvan enclave of Innis Arden about an hour north of Seattle, this home soaks up the natural beauty of the Pacific Northwest. This beautifully maintained midcentury home was designed in 1962 by Seattle–based modernist architect Ralph D. Anderson—who was an early advocate for preservation in the region. A soaring, double-height wall of glass in the living room brings a sense of the home's forested surroundings to its interiors. Character-filled elements of the home's midcentury roots remain—including a slightly sunken living room, a circular staircase, a tongue-and-groove ceiling, wood paneling, and a kitchen countertop crafted of salvaged teak from a 1960s battleship. Updated elements include a renovated kitchen, which kept the original salvaged teak and updated appliances as needed.
In 1950, landscape architect Bill Davies tasked Canadian-born architect John Kewell to design his home in Silver Lake. The charming two-bedroom, one-bath house has been carefully maintained over the years, with minimal updates save for a bathroom remodel in 2014. This has allowed the original home’s connection to the outdoors and midcentury modern design to remain, along with its siting—it sits partly cantilevered off the hillside to take in stunning mountain and city views framed through massive panes of glass.
Built in 1952, this home was designed by architect Albert P. Martin as his own residence after having apprenticed with Richard Neutra. Martin set the home atop challenging hillside terrain and took full advantage of the site's sweeping reservoir views with floor-to-ceiling glass and outdoor patios. When the three-bedroom, three-bathroom home hit the market in 2014, actress Kristen Wiig snapped up the property for $1.7 million and tapped Taalman Architecture and The Archers for a thorough renovation. The design team preserved the original elements of the home for authenticity while upgrading the facilities to meet modern needs.
A yellow facade adds character to this recently renovated 1961 home on a corner lot in the heart of Vista Las Palmas, another Alexander subdivision.
A post and beam entry plus a delicate brise soleil make up the entrance to 572 W Santa Elena Road.
The dramatic home features a striking black and white facade.
In addition to lovely native landscaping, the front entrance features crisp midcentury lines and a beautiful butted glass window.
The elongated midcentury facade of 946 W. Ceres Road is classic Palm Springs and features beautiful native landscaping by a local landscape architect.
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