All Photos/exterior/building type : mid century/roofline : flat

143 Exterior Mid Century Flat Roofline Design Photos And Ideas

The exterior is surrounded by lush greenery.
The home at dusk.
The grand entrance to Woods Cove Retreat welcomes the homeowners and guests.
LDA and Graham Architecture's approach to Woods Cove Retreat was to honor the character of the original structure while focusing on maintaining privacy and functionality for this busy family of four.
The deceptively simple design makes it a well-recognized masterpiece of midcentury design.
Nestled into its Laurel Canyon location, the home overlooks a shallow rectangular pool.
The flattop Eichler at dusk.
The home's elegant post-and-beam construction as seen from the exterior.
The home has been professionally landscaped with native drought-resistant plants.
A view of the home at night.
The post-and-beam construction was designed for indoor/outdoor living and has been perfectly preserved over the years, with only two owners.
The Gardiner House is an authentic midcentury gem nestled into the Hollywood Hills.
The post-and-beam construction has a dramatic carport entrance which showcases the home's clean, midcentury lines.
An aerial view.
The front gate opens to the inner courtyard.
The front of the home features a privacy wall and a peek at the pleated roofline.
A view of the guest house, which is included in the sale.
The meticulously landscaped front yard is low maintenance and features drought tolerant plants and a sprinkler system.
Lake/Front view showing living room windows surround.
The five bedroom, five bathroom home is sited on over half an acre of land, and sits adjacent to a local golf course. The owners have installed solar panels on the roof.
A view of the home's exterior from the backyard. Here, you can see the lower level which features laundry and an additional bedroom.
A bright orange door adds a pop of color to the home.
The backside of the guest house.
The rectilinear, modernist home features expansive glazing and blurs the lines between the indoors and outdoors.
The detached guesthouse is reminiscent of Philip Johnson's iconic Glass House.
The property features architecture that has been described as Third Bay Tradition—a 1960s Bay Area midcentury-modern style that can be seen in some of the wood-paneled residences in Sea Ranch, the exclusive Sonoma County seaside community.
The structure is an updated showcase of midcentury modern architecture.
Located on a 2.6-acre lot, the residence is set far back from the street for privacy and is set adjacent to the Reed-Turner Woodland Preserve.
MDO panels the color of California poppies accent the home’s exterior.
Chris and Laura Porter’s new master suite connects to the rest of the house via an indoor/outdoor bridge that comprises a covered deck and small library; Bonelli windows and Fleetwood sliders look out on a landscape designed by Christine Ferris.
An exterior view of the property.
The covered approach, a common element in Wright's works, is flanked by Japanese stone lanterns.
Writer Marc Kristal described the house as "a lapidary example of Miesian simplicity: a 25-by-95-foot rectangle, composed of a black exposed-steel frame, front and northern elevations clad largely in white glazed brick, and southern and western exposures enclosed by floor-to-ceiling glass sliders."
A flat roofline and solid post-and-beam construction create the clean lines of this classic midcentury profile.
Set on a 7.7-acre lot, the 3,400-square-foot residence is both spacious and compact with a natural flagstone facade and black-stained cedar framing.
11 Tallwoods Road in Armonk, NY
The facade features a clean and classic midcentury profile.
When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.
In the entrance, a team with the general contracting firm Martha uncovered an abstract mural that Engels painted himself and then plastered over. He also made the geometric door handle. Simon speculates that Engels sourced the marble, found all over the house, from Expo ’58, after the pavilions had been dismantled.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
Pereira’s modernist ranch for Firestone combined "the strength of his commercial work with the lightness that desert living demanded." The timeless home still looks every bit as contemporary today as it did when it was originally built.
The home is surrounded by an acre of woods and overlooks the Great Salt Lake which provides stunning sunset views.
A look at the backside of the home.
The home and its distinctive California casual elegance been featured in design and architecture books.
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