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Dining Room Ceiling Lighting Storage Design Photos and Ideas

The cowhide rug was purchased on a road trip in Santa Fe, New Mexico, while the orange settee and rattan coffee table were found on Facebook Marketplace, the latter via @modastudiojc. Ellie Deneroff painted the "jungle
The banquette upholstery fabric is Tonic Living, paired with an Eames conference table and vintage Knoll Breuer Cesca chairs. The windows above the banquette open to the screened porch.
“The material palette is the same for the entire house,” says architect Daniel Iragüen, pointing out the porcelain tile floors, laminated pine ceilings, and whitewashed pine slats that form the interior walls.
An integrated oak bench with storage bridges the kitchen and the dining area, where a massive oak table is surrounded by orange dining chairs.
Pierre Frey wallpaper surrounds the built-in bar.
The couple added curved cabinetry and a window seat to form a breakfast nook, painted in Farrow & Ball Red Earth. The table is discontinued from Anthropologie, where Kara previously worked as a display coordinator, and the overhead light is the Lambert & Fils Waldorf Double.
The wet bar was given a custom cherry top, and the couple added wall molding for texture.
After: Inspired by the Murano light fixture hanging over the table, the architects opted for custom-patterned ceiling millwork in the dining room.
The ladder-like staircase was designed as a modern, whimsical addition to an otherwise midcentury-focused design. "I use it as a drying rack,
Solk thickened the fireplace wall to two feet deep, and packed in storage capabilities around the newly refinished fireplace, which now has large-scale porcelain tile surrounding it.
The dining room’s preserved built-ins are another great display space.
Kele Dobrinski and Christina Valencia, of Sacramento, California-based Colossus Mfg., revamped a 2008 Starstream Starcraft camper that allows their family of five to comfortably explore nature in different landscapes for weeks at a time.
The team made sure the family’s cherished antiques each had a designated place against the wall. “They have a nice collection of art, antique furniture, and pieces that really mean something. So, we wanted to design the house around those pieces,” says Falkenberg. A Bocci 28.1 Pendant hangs over the dining room table.
Sustainability was a consideration. “So, we used natural building materials with breathable construction,” says Sam. “Also, the sourcing, not just of the materials but of the [labor], was all based as locally as possible to the site.”
The wall with the circular motif defines the entry and provides separation of the living spaces, but still allows sightlines from the front door to the backyard. It “really sets the tone for the house,” says Blake. And doubles as an excellent play area for the kids to chase each other around, adds Berg: “They can run for a mile and you still see them the whole time.”
The dining table is generally positioned like a desk at a picture window, but can also be rotated to seat a dinner party. The clients' top-shelf of whiskey takes pride of place on the open shelving above the doorway.
The living room, dining room, and kitchen are distinct spaces while still being very open. “It was fun to come up with a slightly different approach to an open living concept,” Herrmann says. The artwork on the left is by Sonnenzimmer. The abstract on the right is by Ludovic Philippon, a painter in the South of France.
Together, Cumulus Studio and the Collins's opted for a transparent approach to architecture. In the living areas, quality charcoal cabinetry and ceiling promote cozy interiors, at once harmonizing with and deflecting attention to the exceptional views.
The landscape space as a physical extension of the dining space.
A pony wall separates the dining and living rooms, adding utility and storage to both sides. On one side, a bar complements the dining area—a clever and functional addition to the natural gathering space.
The kitchen area features a built-in table and bench with storage as well as a stool that was crafted from American oak. A removable ladder, also made with oak, accesses a loft-style sleeping area above the bathroom.
During the 2019 renovation, the building’s floors were refinished with Ardex. "In the process, two layers of color were added, which brought so much depth," says Ali.
Cheng kept the dining room chandelier and the original fireplace, and gutted most everything else, careful to keep changes in the spirit of the home’s quiet character. "It's an unassuming structure with jaw-dropping, 180-degree views once you walk in the door," says the designer.
The kitchen opens into the living/dining space. Sight lines continue from the wraparound deck and garden, through the kitchen to the dining table.
Cooking and eating together is an essential part of life on the ranch. The floors throughout the open kitchen and dining area are wide-plank, engineered white oak by Castle Bespoke. A pair of copper Semi Pendants by Gubi hangs above the island. Green CH47 chairs by Carl Hansen surround a Solo Oblong dining table from De Le Espada.
A look back at how the living spaces now connect with the sunroom.
The vintage credenza once belonged to the architect’s grandmother, and the framed drawing on the right is by Graham’s mother, artist MJ Levy-Dickson.
In the dining room, a collection of new and old lives side by side: a table and paper lamp by HAY, vintage Breuer Cesca chairs from Jocie’s grandmother, and a painting by artist Carly Wilhelm.
Large drawers underneath the dinette seats provide extra storage.
Dining Room
The dining room, kitchen, and living room function as the heart of the home. "We kept a large part of the existing house intact, and opted to simply match the existing white fiberglass windows, rather than upgrade them to something finer," says Davis. "We felt these decisions were in line with the pragmatic design of the shipping containers."
In the dining room, Tang installed a built-in reading bench under the windows. It’s upholstered in ikat fabric and anchored by bookshelves at one end. The vintage Danish cabinet belongs to the owners, while the brilliant, deep orange pendant was sourced by Tang’s team. It’s a 1960s Equator pendant by Jo Hammerborg for Fog and Morup.
The dining table was made by metalworker Rick Gage from planks reclaimed from a Detroit factory and drill bits. Seth Keller created the seating, shelving and credenza, on which sit ceramics by Suzanne Beautyman, Im Schafer, and Benjamin Teague. Two bright-orange plastic moulded Eames chairs add a pop of colour to the room and act as alternates to the bench seating around the table.
The open dining area sits between the living room and the kitchen, and it can be closed off to the entry hallway via a sliding door.
Cabinetry was designed with the help of custom millwork company Flitch, and features another smart design trick: hiding a full pantry behind a standard cabinet door, keeping the painted millwork looking seamless. "The details we love aren’t necessarily the ones that show up in the photo," says Jobe.
Hang out underneath the vaulted ceiling of this stone-and-timber hideaway situated in the woodlands of Fleischmanns, a tiny village not far from Belleayre Mountain Ski Center. Artful textiles from northern Argentina spruce up the open-plan living and dining area, where walls covered in knotty pine call to mind après-ski festivities. To best appreciate the much-needed silence, take to the sitting-room loft, wraparound deck, or clawfoot bathtub.
Colored glass pendants hang in the double-height atrium above the dining table. They match a colored glass screen that lends vibrancy to the space.
Zachary filled the wall beneath the high windows with the Morrison Console from Egg Collective and the owners’ art collection. The Trumpet Lamp is from Lostine.
Zachary surrounded the owners’ existing table with a set of vintage chairs upholstered in Zac & Fox fabric. The chandelier is from Anthropologie.
In order to minimize the impact of the pony wall, Zachary had a built-in bench with storage installed. The seat cushion is fashioned from vintage fabric.
While the room feels bright and contemporary, classic elements like the Design Within Reach dining table, vintage rug, and wood china cabinet give it a storied feel.
In the dining room, a vintage rug provides a soft palette for structured West Elm Framework upholstered chairs and the straight lines of the credenza.
This 1930 building sits one block off the main street of Greenport Village in the North Fork of Long Island—just two hours from New York City. Partially covered in vines, the austere facade contrasts starkly with its bright interiors.
The marble dining table is supported by repurposed steel rods from the original structure of the building. “To keep the sense of history and cultural heritage, we didn’t want to use only new materials,” says Chu. “There is a very interesting relationship between the marble and the steel rods, which is found throughout the home. This balance between old and new is what makes this project so interesting.”
The renovation uses 70% recycled materials, both from the original building and other sources. The floors in the kitchen/dining area are made of marble slabs that were damaged during Taiwan’s last earthquake. This damaged marble was further broken down and mixed with concrete to create a terrazzo-like tile for the floors.
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