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The glassy pavilion containing kitchen, dining, and living areas is elevated three feet off the ground on posts so it appears to hover among the dunes.
The glassy pavilion containing kitchen, dining, and living areas is elevated three feet off the ground on posts so it appears to hover among the dunes.
In the kitchen, the walls near the garden are painted green. The built-in table was designed by Chastain, and the Tone chairs are from De La Espada.
In the kitchen, the walls near the garden are painted green. The built-in table was designed by Chastain, and the Tone chairs are from De La Espada.
Quintessa Winery has a commitment to creating modern architecture that complements rather than competes with the landscape.
Quintessa Winery has a commitment to creating modern architecture that complements rather than competes with the landscape.
The stairs are partically hidden behind a slatted ash screen that supports steel bookshelves.
The stairs are partically hidden behind a slatted ash screen that supports steel bookshelves.
The dining room features 1970s leather-and-brass dining chairs and a table concocted from a brass-and-silver base and a custom lacquered top. The cheerful blue paint enlivening the doorway is from Emery & Cie.
The dining room features 1970s leather-and-brass dining chairs and a table concocted from a brass-and-silver base and a custom lacquered top. The cheerful blue paint enlivening the doorway is from Emery & Cie.
The Birch Pavilion sits atop a 14-by-26-foot platform composed of hemlock and pressure-treated timbers. Photo courtesy of Moskow Linn Architects.
The Birch Pavilion sits atop a 14-by-26-foot platform composed of hemlock and pressure-treated timbers. Photo courtesy of Moskow Linn Architects.
Søren Rose’s High chair for De La Espada cribs its base from a Verner Panton piece.
Søren Rose’s High chair for De La Espada cribs its base from a Verner Panton piece.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
"Pulling the buildings apart allows what is not a big house to feel really big," says architect Jonathan Feldman of the sustainable retirement home he built for a couple in California. "Because of the ways it opens up, it feels much more expansive than it really is."
"Pulling the buildings apart allows what is not a big house to feel really big," says architect Jonathan Feldman of the sustainable retirement home he built for a couple in California. "Because of the ways it opens up, it feels much more expansive than it really is."
Homeowner Susanna prefers a motley set of dining chairs over a coordinated set; that way, guests can pick their favorite when they sit. Photo by: Petra Bindel
Homeowner Susanna prefers a motley set of dining chairs over a coordinated set; that way, guests can pick their favorite when they sit. Photo by: Petra Bindel
But onto the real question: The pavilion is a definite delight to the eyes, but does it make the wine more tasty? “Absolutely!” Warner and McCabe assert. “Each pavilion is elegantly unobtrusive and offers a rustic yet refined experience evocative of picnicking with a bottle of wine under an oak tree. In this way, the pavilions serve to bring the visitor a greater depth of understanding and appreciation for the place where Quintessa is made and the process that creates its uniquely sophisticated character.”
But onto the real question: The pavilion is a definite delight to the eyes, but does it make the wine more tasty? “Absolutely!” Warner and McCabe assert. “Each pavilion is elegantly unobtrusive and offers a rustic yet refined experience evocative of picnicking with a bottle of wine under an oak tree. In this way, the pavilions serve to bring the visitor a greater depth of understanding and appreciation for the place where Quintessa is made and the process that creates its uniquely sophisticated character.”
Carefully selected materials make the building appear as if it grew from the land. Environmentally sensitive finishes echo the existing winery, which the firm designed in 2002.
Carefully selected materials make the building appear as if it grew from the land. Environmentally sensitive finishes echo the existing winery, which the firm designed in 2002.
The bedroom pavilion is mostly hidden, thanks to a massive native California oak—part of a grove. “That’s the good thing about oaks—they keep their leaves in the winter, so you don’t have one view in the summer and another in the winter,” Suzanne says.
The bedroom pavilion is mostly hidden, thanks to a massive native California oak—part of a grove. “That’s the good thing about oaks—they keep their leaves in the winter, so you don’t have one view in the summer and another in the winter,” Suzanne says.
A simple landmark in the midst of Rice University's carefully landscaped campus (another destination Robertson recommends), the Brochstein Pavilion was designed by architect Thomas Phifer and completed in 2007.
A simple landmark in the midst of Rice University's carefully landscaped campus (another destination Robertson recommends), the Brochstein Pavilion was designed by architect Thomas Phifer and completed in 2007.
Chair Necessities The couple’s four Chair One dining chairs by Konstantin Grcic for Magis are among their most prized possessions. They had been given their dining table as a wedding gift but couldn’t afford enough chairs to surround it, so they opted for a wooden bench on one side and the Grcic chairs on the other. Davor says he’s pleased they purchased the chairs early in the design process before the budget got really tight. magisdesign.com
Chair Necessities The couple’s four Chair One dining chairs by Konstantin Grcic for Magis are among their most prized possessions. They had been given their dining table as a wedding gift but couldn’t afford enough chairs to surround it, so they opted for a wooden bench on one side and the Grcic chairs on the other. Davor says he’s pleased they purchased the chairs early in the design process before the budget got really tight. magisdesign.com
Puente de la Mujer, Argentina-The condo-ified Buenos Aires port barrio of Puerto Madero is home to this artistic pedestrian bridge. Photo: Jorge Lascar
Puente de la Mujer, Argentina-The condo-ified Buenos Aires port barrio of Puerto Madero is home to this artistic pedestrian bridge. Photo: Jorge Lascar
By creating a desk out of roof beams, this home office perfectly integrates into an open-plan renovation of a Northern Italian farmhouse.
By creating a desk out of roof beams, this home office perfectly integrates into an open-plan renovation of a Northern Italian farmhouse.
Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.
Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.
The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.
The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.
In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.
In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.
For more bedroom ideas, check out our ten tips for clutter-free bedrooms.
For more bedroom ideas, check out our ten tips for clutter-free bedrooms.
In the living area of Daniel Rozensztroch’s Paris apartment, an Eames La Chaise and a butterfly chair complement a Moroccan Berber rug.
In the living area of Daniel Rozensztroch’s Paris apartment, an Eames La Chaise and a butterfly chair complement a Moroccan Berber rug.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
See La Carmina's house tour in full at http://www.lacarmina.com/blog/2017/04/fashion-blogger-apartment-decoration-midcentury-modern-minimalism/
See La Carmina's house tour in full at www.lacarmina.com/blo...
The study features floor-to-ceiling sliding glass doors that bring the outdoors in. Space-saving custom walnut desks are accented by a Pixo Optical LED Table Lamp, an AJ table lamp, and a 1958 Eames Management Chair.
The study features floor-to-ceiling sliding glass doors that bring the outdoors in. Space-saving custom walnut desks are accented by a Pixo Optical LED Table Lamp, an AJ table lamp, and a 1958 Eames Management Chair.
When we delivered [the table], my dad and I stood on top of the table to show him how strong it was. [The client] was so impressed and asked us to design chairs to go with it,” Sevak says. The project, dubbed “Five Chairs Times Two” are still in progress.
When we delivered [the table], my dad and I stood on top of the table to show him how strong it was. [The client] was so impressed and asked us to design chairs to go with it,” Sevak says. The project, dubbed “Five Chairs Times Two” are still in progress.
Kate and Gerald enjoy the view up there most nights. The chair was salvaged from the original bach on site and reupholstered.
Kate and Gerald enjoy the view up there most nights. The chair was salvaged from the original bach on site and reupholstered.
Wooten handpicked every piece in the house, such as the 1955 Medea chair by Vittorio Nobili, near which he placed an abandoned bird’s nest he found on the property.
Wooten handpicked every piece in the house, such as the 1955 Medea chair by Vittorio Nobili, near which he placed an abandoned bird’s nest he found on the property.
A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.
A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.
Bibliothèque de la Sorbonne Paris I (2007) An exhibition of Candida Höfer’s renowned architectural photography is on display at Fondazione Bisazza in Vincenza, Italy, through July 27. Photo by Candida Höfer
Bibliothèque de la Sorbonne Paris I (2007) An exhibition of Candida Höfer’s renowned architectural photography is on display at Fondazione Bisazza in Vincenza, Italy, through July 27. Photo by Candida Höfer
In the kitchen, the continuous kitchen worktop and table are made of marble from Caledonia Marble. The pink Tamatik dining chairs are by Connie Chisholm and are from the Canadian design shop Made. The Blinding Love pendant lights are by Periphere, which has shops in Montreal and Toronto. The iron rails were inspired both by screens the couple had seen on their travels in the Middle East and by the ornate wrought ironwork favored by their Portuguese neighbors. Barzel Ironworks fabricated the banister to Sawatzky’s design by slicing up iron pipe, welding it, and painting it.
In the kitchen, the continuous kitchen worktop and table are made of marble from Caledonia Marble. The pink Tamatik dining chairs are by Connie Chisholm and are from the Canadian design shop Made. The Blinding Love pendant lights are by Periphere, which has shops in Montreal and Toronto. The iron rails were inspired both by screens the couple had seen on their travels in the Middle East and by the ornate wrought ironwork favored by their Portuguese neighbors. Barzel Ironworks fabricated the banister to Sawatzky’s design by slicing up iron pipe, welding it, and painting it.
Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof that helps it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.
Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof that helps it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.
In the living room of the Barcelona apartment designer Elina Vila D’Acosta-Calheiros shares with her husband, Ginés Gorriz, Arne Jacobsen Swan chairs join a sofa by Piero Lissoni for Living Divani. The cabinet is from Cappellini, as is the Marcel Wanders Big Shadow lamp.
In the living room of the Barcelona apartment designer Elina Vila D’Acosta-Calheiros shares with her husband, Ginés Gorriz, Arne Jacobsen Swan chairs join a sofa by Piero Lissoni for Living Divani. The cabinet is from Cappellini, as is the Marcel Wanders Big Shadow lamp.
Elysia lounge chair by Luca Nichetto for De La Espada. A frame in solid American black walnut or European ash hugs a padded seat and backrest. Fabric upholstery options include blue, red, and dove gray. Picture courtesy of De La Espada.
Elysia lounge chair by Luca Nichetto for De La Espada. A frame in solid American black walnut or European ash hugs a padded seat and backrest. Fabric upholstery options include blue, red, and dove gray. Picture courtesy of De La Espada.
The client's mother enjoys sitting in the concrete pavilion, where she can watch the activities of the house with a prime view.
The client's mother enjoys sitting in the concrete pavilion, where she can watch the activities of the house with a prime view.

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