Rineke Dijkstra, Kolobrzeg, Poland, July 26, 1992, 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Kolobrzeg, Poland, July 26, 1992, 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Vondelpark, Amsterdam, the Netherlands, June 10, 2005, 2005; chromogenic print; 59 5/8 in. x 70 1/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Vondelpark, Amsterdam, the Netherlands, June 10, 2005, 2005; chromogenic print; 59 5/8 in. x 70 1/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Wormer, the Netherlands,  February 21, 1998; 1998; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Wormer, the Netherlands, February 21, 1998; 1998; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Zoetermeer, the Netherlands, June 19, 2008, 2008; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Zoetermeer, the Netherlands, June 19, 2008, 2008; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, April 13, 2002, 2002; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, April 13, 2002, 2002; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, March 24, 2007, 2007; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, March 24, 2007, 2007; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Long Island, N. Y., USA, July 1, 1993, 1993; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Long Island, N. Y., USA, July 1, 1993, 1993; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Shany, Palmachim Israeli Air Force Base, Palmachim, Israel, October 8, 2002, 2002; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Shany, Palmachim Israeli Air Force Base, Palmachim, Israel, October 8, 2002, 2002; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Amy, The Krazyhouse, Liverpool, England, December 23, 2008, 2008; inkjet print; 48 7/8 in. x 40 1/4 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Amy, The Krazyhouse, Liverpool, England, December 23, 2008, 2008; inkjet print; 48 7/8 in. x 40 1/4 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Vila Franca de Xira, Portugal, May 8, 1994; 1994; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Vila Franca de Xira, Portugal, May 8, 1994; 1994; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Self-Portrait, Marnixbad, Amsterdam, the Netherlands, June 19, 1991; 1991; chromogenic print; 24 7/16 in. x 20 1/2 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Self-Portrait, Marnixbad, Amsterdam, the Netherlands, June 19, 1991; 1991; chromogenic print; 24 7/16 in. x 20 1/2 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Hilton Head Island, S.C., USA, June 24, 1992; 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Hilton Head Island, S.C., USA, June 24, 1992; 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Asylum Center Leiden, Leiden, the Netherlands, March 14, 1994, 1994; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Asylum Center Leiden, Leiden, the Netherlands, March 14, 1994, 1994; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Olivier, The French Foreign Legion, Quartier Monclair, Djibouti, Djibouti, July 13,2003, 2003; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Olivier, The French Foreign Legion, Quartier Monclair, Djibouti, Djibouti, July 13,2003, 2003; chromogenic print; 49 5/8 in. x 42 1/8 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Sefton Park, Liverpool, England, June 10, 2006, 2006; chromogenic print; 53 15/16 in. x 64 9/16 in.; San Francisco Museum of Modern Art, purchase through a gift of Carla Emil and Rich Silverstein and the Accessions Committee Fund; © Rineke Dijkstra
Rineke Dijkstra, Sefton Park, Liverpool, England, June 10, 2006, 2006; chromogenic print; 53 15/16 in. x 64 9/16 in.; San Francisco Museum of Modern Art, purchase through a gift of Carla Emil and Rich Silverstein and the Accessions Committee Fund; © Rineke Dijkstra
Rineke Dijkstra, Olivier, The French Foreign Legion, Camp Général de Gaulle, Libreville, Gabon, June 2, 2002, 2002; chromogenic print; 49 5/8 in. x 42 1/8 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Olivier, The French Foreign Legion, Camp Général de Gaulle, Libreville, Gabon, June 2, 2002, 2002; chromogenic print; 49 5/8 in. x 42 1/8 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
A selection of some of the objects on view in the exhibition. Photo courtesy SFMOMA.
A selection of some of the objects on view in the exhibition. Photo courtesy SFMOMA.
The Alexandria Library in Alexandria, Egypt. Photo by James Willis, courtesy Snøhetta and SFMoMA.
The Alexandria Library in Alexandria, Egypt. Photo by James Willis, courtesy Snøhetta and SFMoMA.
20 Years_01_b01, 8/31/09, 4:50 PM,  8C, 2248x2887 (0+49), 38%, Custom,  1/30 s, R109.6, G74.7, B82.3
20 Years_01_b01, 8/31/09, 4:50 PM, 8C, 2248x2887 (0+49), 38%, Custom, 1/30 s, R109.6, G74.7, B82.3
The interior of the Alexandria Library in Alexandria, Egypt. Photo by James Willis, courtesy Snøhetta and SFMoMA.
The interior of the Alexandria Library in Alexandria, Egypt. Photo by James Willis, courtesy Snøhetta and SFMoMA.
The Lillehammer Art Museum in Lillehammer, Norway. Photo by Jiri Havran, courtesy Snøhetta and SFMoMA.
The Lillehammer Art Museum in Lillehammer, Norway. Photo by Jiri Havran, courtesy Snøhetta and SFMoMA.
The 510 Cabin is one of Leggitt's designs, executed with the help of student apprentices.
The 510 Cabin is one of Leggitt's designs, executed with the help of student apprentices.
The New Norwegian National Opera and Ballet in Oslo, Norway. Photo by Jens Passoth, courtesy Snøhetta and SFMoMA.
The New Norwegian National Opera and Ballet in Oslo, Norway. Photo by Jens Passoth, courtesy Snøhetta and SFMoMA.
The cover of Murakami Versailles.
The cover of Murakami Versailles.
Olson Kundig refurbished this 1950s building as a flexible off-site exhibition space for SFMOMA's Project Los Altos in downtown Los Altos, California. The firm replaced the front facade with a double-height, floor-to-ceiling window wall that can be raised or lowered at the whim of the user.
Olson Kundig refurbished this 1950s building as a flexible off-site exhibition space for SFMOMA's Project Los Altos in downtown Los Altos, California. The firm replaced the front facade with a double-height, floor-to-ceiling window wall that can be raised or lowered at the whim of the user.
The San Francisco Museum of Modern Art Rooftop Garden in San Francisco, California. Designed by Jensen Architects/Jensen & Macy Architects. Winner of the 2011 Institute Honor Award for Architecture. Project description: "The SFMOMA’s rooftop garden is an open-air gallery defined by the intersection of sculpture, space and light. The entire back wall of the museum’s top floor is removed, allowing a seamless connection from gallery to garden. A large panoramic window at this new opening offers an elevated view to the garden, presenting it like a landscape painting inside the gallery. A glazed long-span bridge links the museum to a garden pavilion that in turn opens out to the garden through large sliding glass panels."
The San Francisco Museum of Modern Art Rooftop Garden in San Francisco, California. Designed by Jensen Architects/Jensen & Macy Architects. Winner of the 2011 Institute Honor Award for Architecture. Project description: "The SFMOMA’s rooftop garden is an open-air gallery defined by the intersection of sculpture, space and light. The entire back wall of the museum’s top floor is removed, allowing a seamless connection from gallery to garden. A large panoramic window at this new opening offers an elevated view to the garden, presenting it like a landscape painting inside the gallery. A glazed long-span bridge links the museum to a garden pavilion that in turn opens out to the garden through large sliding glass panels."
Objects in the accompanying "Paradesign" exhibition reflect a critical look at design and architecture that's similar to Wong's. Photo courtesy SFMOMA.
Objects in the accompanying "Paradesign" exhibition reflect a critical look at design and architecture that's similar to Wong's. Photo courtesy SFMOMA.
Pendant by Matthew Fairbank Design.
Pendant by Matthew Fairbank Design.
Clock by Ding3000 for Discipline.
Clock by Ding3000 for Discipline.
The structure of the coop was inspired by the new bus shelters and newsstands in New York City.
The structure of the coop was inspired by the new bus shelters and newsstands in New York City.
Seating space in SFMOMA
Seating space in SFMOMA
William Lamson's Solarium.
William Lamson's Solarium.
Graphite drawing by Ewan Gibbs depicting San Francisco's Victorians. (2009) Commissioned by the SFMoMA. On display as part of the SFMoMA's 75 Years of Looking Forward: Ewan Gibbs: San Francisco exhibit, on view through June 27, 2010.
Graphite drawing by Ewan Gibbs depicting San Francisco's Victorians. (2009) Commissioned by the SFMoMA. On display as part of the SFMoMA's 75 Years of Looking Forward: Ewan Gibbs: San Francisco exhibit, on view through June 27, 2010.
Zig-zag Chair (1934), designed by Gerrit Thomas Rietveld. From the SFMoMA Collection; gift of Michael and Gabrielle Boyd. On display as part of the SFMoMA's 75 Years of Looking Forward: The Anniversary Show exhibit, on view through January 16, 2011.
Zig-zag Chair (1934), designed by Gerrit Thomas Rietveld. From the SFMoMA Collection; gift of Michael and Gabrielle Boyd. On display as part of the SFMoMA's 75 Years of Looking Forward: The Anniversary Show exhibit, on view through January 16, 2011.
Presence (1947), sculpted by Adaline Kent. From the SFMoMA Collection; gift of the Women's Board and the Membership Activities Board. On display as part of the SFMoMA's 75 Years of Looking Forward: The Anniversary Show exhibit, on view through January 16, 2011.
Presence (1947), sculpted by Adaline Kent. From the SFMoMA Collection; gift of the Women's Board and the Membership Activities Board. On display as part of the SFMoMA's 75 Years of Looking Forward: The Anniversary Show exhibit, on view through January 16, 2011.

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