Serve festive cocktails... COLOUR GLASSFrom the design duo Scholten & Baijings for Hay comes the Colour Glass collection. Using a unique language of color, form and line, the Colour Glass system employs a distinctive visual cue for each type of glass: gold lines to signify sparkling wine, a swath of pink to reference red wine, gold dots and color gradients for water. Combined with other pieces from the Colour Glass collection, a rich interplay of color and line is formed.

Colour Porcelain by Scholten & Baijings for 1616 Arita-This collection of hand painted porcelain tableware is one of the most aesthetically pleasing pieces within the exhibition A perfect fusion between traditional Japanese craft production and contemporary European design, the pieces feature traditional Japanese colors and are made using fine quality clay found locally to 1616 Arita’s factory.

COLOUR GLASS From the design duo Scholten & Baijings for Hay comes the Colour Glass collection. Using a unique language of color, form and line, the Colour Glass system employs a distinctive visual cue for each type of glass: gold lines to signify sparkling wine, a swath of pink to reference red wine, gold dots and color gradients for water. Combined with other pieces from the Colour Glass collection, a rich interplay of color and line is formed.

Hay Colour Glass The Colour Glass collection is a range of minimalist glassware by Scholten & Baijings. It includes high and low water glasses, a red wine glass, a white wine glass, a champagne glass and a carafe. The glasses and carafe come in in three different designs: with yellow or blue fading from the top, or a golden dot at the bottom of the vessels. The red wine glass comes with a pink square on one side, the white wine glass has black grid lines and the champagne glass features golden grid lines. Find this item at the Dwell Store.

The kitchen features a porcelain tile backsplash and a quartz countertop.

Volcano Porcelain Tile by Nemo Tile Nemo Tile’s Volcano line of porcelain tile is a dead ringer for natural stone. Volcanic rock found in southern Italy inspired the seven available colorways like Grigio, shown above.

The feel of natural materials on the skin can make a home comforting. A Colour Carpet by Scholten & Baijings for HAY, made with 100% New Zealand wool, defines the play area in the child’s bedroom of this house in Hamburg, Germany.

Created by one of Japan's oldest porcelain manufacturers Scholten & Baijings, this tea set is both modern and timeless.

Nikole Herriott also keeps a gorgeous food blog, often highlighting her favorite pieces from the shop and decadent recipes. Photo by Michael Graydon and Nikole Herriott

HASAMI PORCELAIN MUG $16.00-$20.00 Hasami Porcelain is characterized by simple, clean lines and an aesthetic that is both highly modern and deeply seeded in Japanese pottery tradition. The company creates products on a fixed module, meaning that diameters are shared across the line, making them easy to be stacked and transported. The result of the stacking and interchangeability of the products is not only highly functional, but is also aesthetically pleasing— the even stacks provide a sense of calm and serenity to a cupboard of counter space. Crafted from Hasami’s custom blend of porcelain and clay, this mug is softer to the touch than traditional porcelain, ensuring a positive tactile experience when delivering a mug of coffee, or enjoying a cup of tea. With a lovely matte finish, this mug is beautiful enough to serve to a distinguished guest, and simple enough to use every day.

At 5 inches tall and 6 inches in diameter, Ed and Kate Coleman's Freke Bowls are made for function as well as display. With their shape and bright colors, they add an unusual twist to everyday activities.

Hay Colour Glass Collection, from $12 Scholten & Baijings applies subtle pastel gradients to this collection of glasses and flutes.

The Link Porcelain pendant by Apparatus matches a seemingly delicate oversize ceramic chain with a brass shade.

Crafted from Hasami’s custom blend of porcelain and clay, this plate is softer to the touch than traditional porcelain, ensuring a positive tactile experience when passing a companion her plate or serving a dish. With a lovely matte finish, this plate is sophisticated enough to serve to a distinguished guest, and simple enough to use every day. This natural hue is the perfect choice for a fall meal.

Designed in 1936, the Lyngby Vase is one of the most emblematic pieces of Danish porcelain. The vase is so popular that very few original productions remain for sale—most are treasured heirlooms that are passed from generation to generation. The new production maintains the popularity of the original design, largely due to the care and thoughtful attention to the original model in the reproduction. When it premiered in the thirties, the Lyngby Vase was so different from classic porcelain, that it truly stood out and redefined the possibilities of the material. With its distinct shape and modern look, the vase was a sophisticated, new departure from tradition. The vase was reissued in 2011 as an extension of the Lyngby legacy.

Porcelain Sugar Bowl by Hasami "I have more sugar bowls than I care to admit," Stubbs says. "I drink my tea and coffee with sugar, so I always want to have a sugar bowl out, right next to the kettle. This is a really nice departure from the old-fashioned sugar bowls that I’ve been using for years."

Crafted from Hasami’s custom blend of porcelain and clay, this teapot is softer to the touch than traditional porcelain, ensuring a positive tactile experience when pouring tea for friends—or for yourself. With a lovely matte finish, this teapot is beautiful enough to serve to a distinguished guest, and simple enough to use every day.

This inset photograph of a circle of sandstone and porcelain cups contains the sober blacks and whites of Besengez's Flemish home.

In Besengez's porcelain 'Cup Town,' small figures draw attention to the architectural structuring of everyday objects.

Colour Wood for Karimokou New Standard Working with skilled Japanese craftsmen—as well as state-of-the-art equipment like printing robots—Scholten & Baijings introduced a robust collection collection of tables for Karimokou New Standard. The "Kitchen Library" was presented during the 2013 Salone del Mobile.

The tile looks vintage, but was selected and installed as part of the renovation. On the vanity: Kristall Tumbler in Blush by Decor Walther from the Oliver Thom Store.

The corridor features a rich tapestry of textures and colour.

Despite facing the street, the master bathroom contains a delightful surprise: a private outdoor shower with a green wall.

True Colour vases by Lex Pott for &Tradition, from $130 at suiteny.com Dutch designer Lex Pott explores the beauty of patina in these two-toned vases that play on the idea of oxidation with organically inspired colorways like brass and blue and green and copper.

“I wanted the bathtub and shower to be at the foot of the terrace, so one could look out and feel the connection to the site,” Coleman said. “French roast,” an unglazed porcelain tile by American Olean, covers the shower.

Camou by Ornamenta, $15 per square foot An abstracted camouflage graphic adorns the porcelain tile. It’s rectified—meaning mechanically finished on all sides—to achieve uniformity and evenness.

The powder room is a retreat from the main living areas. The firm set off the Victorian ash storage and mirror unit by surrounding it with black hexagon tile. A "sky tunnel" in the ceiling floods the room with natural light.

Drinking on the go has never been easier with these porcelain bracelets by Julianne Ahn that hold a shot's worth of liquor.

A close-up of the gigantic porcelain snail.

Designed in 1936, the Lyngby Vase is one of the most emblematic pieces of Danish porcelain. When it premiered in the thirties, the Lyngby Vase was so different from classic porcelain, that it truly stood out and redefined the possibilities of the material. With its distinct shape and modern look, the vase was an elegant, new departure from tradition.

The porcelain set is meant to be mixed and matched at will. From top to bottom: “Black Almond,” “Tissage Cup,” Triangle Walks” and “Howls in the Night Cup” coffee mugs, stacked on “Hats off for Mr. Squirrel Saucer.”

'Prospect' Porcelain Plates by Jeremy Hatch “The porcelain here is so finely detailed, you would think it’s styrofoam. You may not be able to see it in the photo, but there is a fine layer of gold particles, which play on the prospecting idea, a in, you could take apart the plate to find the gold.” -- Julie Nicholson

Kaiser's red cups are a study in contrasts between fluid bodies and textured bases, glossy and matte surfaces. The porcelain vessels were dipped in red slip and fired, changing in color to mottled pink. The interiors are glazed with glossy blue. His Kangen oribe cups employ the same oribe copper glaze, but each one reacts differently with colored engobes to produce very different shades, "especially when fired in strong reduction."

Masters of color, Ingvild and Sidsel Forr Hemma mix many of their own colors by hand. When they blend the tints into the liquid porcelain, they tend to take on softer, milkier tones.