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CarterSans1

Matthew Carter's New Typeface

Matthew Carter has a letter for web designers, typography geeks, and design buffs everywhere. Actually, he has a whole brand spankin’ new alphabet. On February 2nd, the iconic type designer unveiled his newest commercial typeface, Carter Sans, at the Book Club of California in San Francisco to the delight of more than 80 graphic design glitterati. In a fireside-like chat with Editor/Designer Patrick Coyne of Communication Arts Magazine, Carter shared the behind-the-scenes story of his new typeface, his bemused thoughts on Ikea “scandalously” switching their catalog design from Futura to Verdana, and how the John Coltrane Quartet rocked his typographic youth. Plus, with far more typefaces than ever now being produced for the web (including Carter Sans), he jestingly added, “web designers can finally stop blaming me for their boredom with Georgia and Verdana.” Although the world’s most accomplished typographer doesn’t consider himself to be an artist, the Museum of Modern Art—who recently acquired several of his widely used typefaces for their permanent collection—seriously begs to differ. And so do we. Click through the slideshow for highlights of the inspirational evening.
February 7, 2011
mendelsund Notes crop

Dostoyevsky, Meet Mendelsund

I recently picked up a copy of Richard Pevear and Larissa Volokhonsky's wonderful translation of War and Peace. I liked it so much—not nearly finished with those 1200 pages yet—that I began hunting down other big works of Russian lit they've done. And through that little search I came across six clever reissues of Dostoyevsky from Vintage books. Pevear and Volokhonsky helm the translation and the jacket design is by the estimable Peter Mendelsund, an in-house designer at Knopf. I've been a fan of his jackets for a while, but got in touch to pick his brain about his graphic translations of not only Dostoevsky, but a whole host of novelists and thinkers.
February 3, 2011
barcelona javier mariscal magazine

Barcelona, Day Two

On our second day in Barcelona, fueled by café con leche and enough jamon to kill a horse, we excitedly settled into a breakneck tour of modern Catalan design and architecture. From Gaudi and Dali to Mariscal and Alvarez, our Barcelona education continues in earnest.
January 29, 2011
barcelona

Barcelona, Day One

When the plane's wheels touched ground this morning at 7am, it was still dark in Barcelona. We, a motley crew of design-website editors, had just spent a long eight hours flying over the Atlantic with—horrors!—no wifi. Even though the sun was just rising as we sped away from the airport, we resisted the siren song of hotel beds and Internet clicking, and immediately embarked upon a rousing tour of Catalan architecture, art and design.
January 26, 2011
Federer Cap Crop

Roger Federer's Personal Logo?

If you put any stock at all in national stereotypes--we Americans are a bit pudgy, I confess--then you're no stranger to the notion of Swiss precision. Those watches, that typography, and as his first week at the Australian Open has shown, Roger Federer. Fed is perhaps the best to ever play men's tennis, and as those deft drop shots, that stentorian backhand, and oh, those record 16 major titles attest, the guy pretty much has it dialed. Even his on-court garb is choice. The cream blazer at Wimbledon in 2006, then the cardigan in 08. Dapper. But for all his design sense, what is up with his personal logo?
January 24, 2011
Beer A Genuine Collection of Cans book

Beer: The Designs of Drinking

Wine labels have recently received acclaim for their more astute designs so its high time beer branders were awarded the same salute. A new coffee table-topper from Chronicle Books, Beer: A Genuine Collection of Cans, peers into the 1,400-plus collection of beer can-enthusiast John Russo and presents nearly 500 of the most interesting finds that represent craft breweries now out of business and iconic brands that have continually altered their image throughout the last half decade. Compiled by Dan Becker (Russo's stepson) and Lance Wilson, the book is a glimpse of drinking days of yore and an ode to the long lost cone top and crowntainer cans. Bottoms up!
January 20, 2011
Project Projects, "Re-Shuffle/Notions of an Itinerant Museum," 2006. Installation at Art in General, New York.

Wide White Space

Today the exhibition 'The Way Beyond Art: Wide White Space' opens at the CCA Wattis Institute for Contemporary Arts in San Francisco (through February 5). The show, which investigates graphic design’s evolving relationship with the visual arts and the work of both artists and curators, was organized by the CCA’s undergraduate Graphic Design Program, the Graduate Program in Design, and Jon Sueda, a CCA graphic design professor and founder of the San Francisco design practice Stripe. Sueda took a break from installing the exhibition to answer a few questions about the show and its accompanying lecture series.
January 20, 2011
Wayfinder, a new wall covering design by Mike and Maaike, is meant to serve a functional purpose within the context of architecture.

These Walls Can Talk

Congratulations, wallpaper…you no longer look or feel like my grandmother’s living room. Freed from a past of gauche ubiquity, wallpaper is now beautifully designed and updated with modern flair and functionality. Designers Mike & Maaike have taken wallpaper a step further by incorporating the basic universal communication system as a graphic element. It’s called Wayfinder. It can be used to guide people through complex transportation centers and office buildings. Or, simply direct people towards basic necessities such as…the bathroom.
January 14, 2011
clinton

Inside HeadHoods' Workshop

On a cold winter's day a few weeks back, I boarded a train to Brooklyn where I met Clinton Van Gemert and his girlfriend Martha. Clinton is the brains behind HeadHoods, a unique brand of hoodies that feature iconic faces (Grace Jones, Gumby, sock monkeys). I went to see the clothing, but I left snapping only images of his workspace. It's cluttered and curated with art, objects, furniture, books, and instruments. It would take weeks to fully take everything in, and I hope my images do the chaotic expressions of his art justice.
January 12, 2011
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