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Waterfront Living

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Three 28.1 Single Mini pendant lights by Bocci hang above a dining table that was custom-built by the owner and her father. Bikappa dining chairs by Kristalia mirror the clean lines of the vintage chair in the living room.
Three 28.1 Single Mini pendant lights by Bocci hang above a dining table that was custom-built by the owner and her father. Bikappa dining chairs by Kristalia mirror the clean lines of the vintage chair in the living room.
The Petal chaise lounges and table.
The Petal chaise lounges and table.
The architect's penchant for natural Brazilian woods, particularly Peroba Mica, Ipe Tabacco, and Peroba de Campo, is on fine display here, from the wide-plank flooring of the master bedroom to a pair of oceanfront terraces. Inside, the space is furnished with signature pieces by the acclaimed designer Zanini de Zanine and vintage armchairs by the late, great Brazilian design legend Sérgio Rodrigues.
The architect's penchant for natural Brazilian woods, particularly Peroba Mica, Ipe Tabacco, and Peroba de Campo, is on fine display here, from the wide-plank flooring of the master bedroom to a pair of oceanfront terraces. Inside, the space is furnished with signature pieces by the acclaimed designer Zanini de Zanine and vintage armchairs by the late, great Brazilian design legend Sérgio Rodrigues.
To most eyes, Ezequiel Farca’s 1970s-style concrete home in Mexico City looked like a teardown. Even the lot itself—shallow and crammed against a steep hillside—wasn’t particularly alluring. But Farca saw through all the restraints to create a spa-like refuge in one of the world’s most energetic cities. "It’s is such a hectic place. You’re bombarded by so much information the moment you step into the streets," says Farca, who first gained prominence as a furniture and interior designer. "So we envisioned this house as a retreat, a kind of a temple." The rooftop courtyard is lined with a verdant mix of indigenous plants, including banana trees, palm trees, lion’s claw, Mexican breadfruit, and native vines. The chaise longues were designed for Farca’s EF Collection.
To most eyes, Ezequiel Farca’s 1970s-style concrete home in Mexico City looked like a teardown. Even the lot itself—shallow and crammed against a steep hillside—wasn’t particularly alluring. But Farca saw through all the restraints to create a spa-like refuge in one of the world’s most energetic cities. "It’s is such a hectic place. You’re bombarded by so much information the moment you step into the streets," says Farca, who first gained prominence as a furniture and interior designer. "So we envisioned this house as a retreat, a kind of a temple." The rooftop courtyard is lined with a verdant mix of indigenous plants, including banana trees, palm trees, lion’s claw, Mexican breadfruit, and native vines. The chaise longues were designed for Farca’s EF Collection.
On San Juan island, Pole Pass is an intimate waterfront retreat built to serve as a gathering space that takes advantage of the temperate Pacific Northwest summers.
On San Juan island, Pole Pass is an intimate waterfront retreat built to serve as a gathering space that takes advantage of the temperate Pacific Northwest summers.
The home, clad in natural Australian timber, enjoys a sense of lightness thanks to slender columns that let it float over the dunes. The driveway and entry, at the rear of the building, have an understated design to build to the interior's magnificent ocean views. Firm director Phil Snowdon explains, “By creating an architectural form that draws your eye and leads you up the steep driveway, we could engage new visitors in a welcoming process that first reveals the object and then slowly reveals the main event, being the view."
The home, clad in natural Australian timber, enjoys a sense of lightness thanks to slender columns that let it float over the dunes. The driveway and entry, at the rear of the building, have an understated design to build to the interior's magnificent ocean views. Firm director Phil Snowdon explains, “By creating an architectural form that draws your eye and leads you up the steep driveway, we could engage new visitors in a welcoming process that first reveals the object and then slowly reveals the main event, being the view."