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Collection by Trurogirl

Vintage

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The table is made of clear acrylic lacquered solid wood with an oak veneer, and is surrounded by chairs of the same—plus a leather seat cushion.
The table is made of clear acrylic lacquered solid wood with an oak veneer, and is surrounded by chairs of the same—plus a leather seat cushion.
The glass pendant lamp comes in two different styles.
The glass pendant lamp comes in two different styles.
The other sofa in the collection is made of cotton/linen, leather and solid pine.
The other sofa in the collection is made of cotton/linen, leather and solid pine.
Available in dark turquoise, dark brown, beige and gray/white, this sofa can be configured into many sizes depending on which sections you purchase.
Available in dark turquoise, dark brown, beige and gray/white, this sofa can be configured into many sizes depending on which sections you purchase.
In the living room, Daniel sits on a vintage leather De Sede NonStop sofa while Meghan is on one of two Mario Bellini Le Bambole side chairs. The coffee table is a Metafora by Lella and Massimo Vignelli, and the stacking Cassina side table is by Gianfranco Frattini.
In the living room, Daniel sits on a vintage leather De Sede NonStop sofa while Meghan is on one of two Mario Bellini Le Bambole side chairs. The coffee table is a Metafora by Lella and Massimo Vignelli, and the stacking Cassina side table is by Gianfranco Frattini.
Breer placed an Ubald Klug-designed Terrazza loveseat by de Sede in the corner of the bedroom area. The rug is vintage. "I'm a rug hoarder," the designer says. "I'm constantly buying vintage rugs and am embarrassed to admit how many I've in storage."
Breer placed an Ubald Klug-designed Terrazza loveseat by de Sede in the corner of the bedroom area. The rug is vintage. "I'm a rug hoarder," the designer says. "I'm constantly buying vintage rugs and am embarrassed to admit how many I've in storage."
Vitra’s Anagram starts with smaller pieces that can be hooked together, and added on to.
Vitra’s Anagram starts with smaller pieces that can be hooked together, and added on to.
Vitra’s Anagram, releasing in September, takes an R&D approach to modularity—simple hooks, a light frame—and applies it to a subtle midcentury modern design.
Vitra’s Anagram, releasing in September, takes an R&D approach to modularity—simple hooks, a light frame—and applies it to a subtle midcentury modern design.
An infinitely addable piece made up of smaller modular elements, De Sede’s DS-600, better known as the Snake, sometimes referred to as the Non-Stop, is one of the more collectible modular sofas on the vintage market.
An infinitely addable piece made up of smaller modular elements, De Sede’s DS-600, better known as the Snake, sometimes referred to as the Non-Stop, is one of the more collectible modular sofas on the vintage market.
Hans Hopfer’s 1971 series of horizontal, loud, and colorful luxury mattresses may be the most out of pocket design in Roche Bobois’s arsenal. Over half a century later, though, it still makes sense.
Hans Hopfer’s 1971 series of horizontal, loud, and colorful luxury mattresses may be the most out of pocket design in Roche Bobois’s arsenal. Over half a century later, though, it still makes sense.
Ubald Klug’s 1973 Terrazza is made of two distinct elements that can be staged like any sort of mountain; it’s a modular piece that’s as horizontal as it is vertical. New Yorkers can check one out in the basement of Jean’s, the cocktail lounge on Lafayette.
Ubald Klug’s 1973 Terrazza is made of two distinct elements that can be staged like any sort of mountain; it’s a modular piece that’s as horizontal as it is vertical. New Yorkers can check one out in the basement of Jean’s, the cocktail lounge on Lafayette.
Interior of Connecticut General Office The design of this office was one of Florence Knoll’s greatest achievements, according to Cubed author Nikil Saval. “It was the peak of a totally organized, thought-through corporate space. It made an insurance company, a paperwork factory, look good, and kept people there.”
Interior of Connecticut General Office The design of this office was one of Florence Knoll’s greatest achievements, according to Cubed author Nikil Saval. “It was the peak of a totally organized, thought-through corporate space. It made an insurance company, a paperwork factory, look good, and kept people there.”

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