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Collection by Derek Eng

Vacation Home Ideas

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The overall program is centered around the notion of light and shade as a “pervasive experience,” says architect Andrew Bernheimer, whose firm collaborated with Wes Deane of Highland Builders. Double-height skylights alternate along an east–west axis to take advantage of natural light patterns throughout the day. The aluminum-clad wood windows are by Unilux, and the sliding doors are by Arcadia.
The overall program is centered around the notion of light and shade as a “pervasive experience,” says architect Andrew Bernheimer, whose firm collaborated with Wes Deane of Highland Builders. Double-height skylights alternate along an east–west axis to take advantage of natural light patterns throughout the day. The aluminum-clad wood windows are by Unilux, and the sliding doors are by Arcadia.
Walnut built-ins store household odds-and-ends, clothing, and create a desk for work.
Walnut built-ins store household odds-and-ends, clothing, and create a desk for work.
Moinian and Meili Residence by Felix Oesch, Switzerland This spare, concrete family home outside of Zurich took nine months to build using a prefabricated panel system developed by the German manufacturer Syspro that’s more commonly used for building cellars rather than entire houses.
Moinian and Meili Residence by Felix Oesch, Switzerland This spare, concrete family home outside of Zurich took nine months to build using a prefabricated panel system developed by the German manufacturer Syspro that’s more commonly used for building cellars rather than entire houses.
Located on the outskirts of Morelia, Mexico, the 5,920-square-foot UC House by architectural designer Daniela Bucio Sistos is grounded by a foyer with a raised, circular ceiling, which houses a tree that grows out from a hole in the floor at the center.
Located on the outskirts of Morelia, Mexico, the 5,920-square-foot UC House by architectural designer Daniela Bucio Sistos is grounded by a foyer with a raised, circular ceiling, which houses a tree that grows out from a hole in the floor at the center.
The upper levels of the six-bedroom, four-bathroom Mountain House feature large picture windows that offer sweeping valley views.
The upper levels of the six-bedroom, four-bathroom Mountain House feature large picture windows that offer sweeping valley views.
Eivind Bøhn’s cabin on the outskirts of Hardangervidda National Park is a modern update of the classic Norwegian <i>hytte</i>. The design, by Snøhetta architect Øystein Tveter, features a sod-covered roof that blends with the grassy hillside in warmer months.
hytte
In the primary bedroom, daughters Ellis and Panda play on pieces of a 1972 Camaleonda sofa by Mario Bellini. A Davide Groppi Moon pendant, made of Japanese paper, hangs overhead.
In the primary bedroom, daughters Ellis and Panda play on pieces of a 1972 Camaleonda sofa by Mario Bellini. A Davide Groppi Moon pendant, made of Japanese paper, hangs overhead.
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
The home is clad in red-painted Norwegian pine, echoing the red-flecked trunks of the surrounding spruce forest. “We wanted to reference a traditional red barn in a modern way and pull it forward into our time and give it a complexity,” says color consultant Dagny Thurmann-Moe.
The home is clad in red-painted Norwegian pine, echoing the red-flecked trunks of the surrounding spruce forest. “We wanted to reference a traditional red barn in a modern way and pull it forward into our time and give it a complexity,” says color consultant Dagny Thurmann-Moe.
Turning a shipping container into a home is rarely as simple as it sounds, but design studio LOT-EK set out to prove that these vessels could become the raw material for an efficient prefab construction process with a house in upstate New York. Victoria Masters, Dave Sutton, and their daughter, Bowie, live in the six merged containers.
Turning a shipping container into a home is rarely as simple as it sounds, but design studio LOT-EK set out to prove that these vessels could become the raw material for an efficient prefab construction process with a house in upstate New York. Victoria Masters, Dave Sutton, and their daughter, Bowie, live in the six merged containers.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.