Collection by Zach Edelson

Unique Artist's Studios We Love

From industrial minimalism to warm wood interiors, these six studios are as diverse and creative as their users.

Phillips designed Judith a stark white, glass-fronted art studio.
Phillips designed Judith a stark white, glass-fronted art studio.
A glass door on the north side sits opposite a glass window on the south wall that overlooks a birch tree forest. Skylights pull light into the interior. "Even though the artist paints landscapes, she didn't want to be distracted by the beauty of her surroundings while in the studio, which led to the limited apertures," Peterson says.
A glass door on the north side sits opposite a glass window on the south wall that overlooks a birch tree forest. Skylights pull light into the interior. "Even though the artist paints landscapes, she didn't want to be distracted by the beauty of her surroundings while in the studio, which led to the limited apertures," Peterson says.
"We wanted them to be silhouettes that just exist on the landscape," says Feilden Clegg Bradley and architect Charlotte Knight, who helped design The Study and The Workshop, a pair of mobile artist's studios currently located in South Downs, two hours drive south of London. "They’re black and foreboding. In the distance, it’s quite striking."
"We wanted them to be silhouettes that just exist on the landscape," says Feilden Clegg Bradley and architect Charlotte Knight, who helped design The Study and The Workshop, a pair of mobile artist's studios currently located in South Downs, two hours drive south of London. "They’re black and foreboding. In the distance, it’s quite striking."
Inside the collage studio, light floods in from outside. “He didn’t want to be able to necessarily see the outside but he wanted it to be very bright,” Semaan says. “From the inside, you can’t make out exactly what’s out there but you can see some of the colors of the exterior through the polycarbonate.”
Inside the collage studio, light floods in from outside. “He didn’t want to be able to necessarily see the outside but he wanted it to be very bright,” Semaan says. “From the inside, you can’t make out exactly what’s out there but you can see some of the colors of the exterior through the polycarbonate.”
New York resident Lawrence Weiner sits at his day lit desk. The bare walls are perfect for tacking up new projects, and the steel ductwork gives the space an industrious feel. Photo by: Dean Kaufman
New York resident Lawrence Weiner sits at his day lit desk. The bare walls are perfect for tacking up new projects, and the steel ductwork gives the space an industrious feel. Photo by: Dean Kaufman