Collection by Concreto Arquitetura
After being recovered from its fair share of vandalism, Prada Marfa has become a permanent part of the Texas landscape. Though the structure lacks a real door, the two large windows are filled with actual shoes and bags by Prada.
After being recovered from its fair share of vandalism, Prada Marfa has become a permanent part of the Texas landscape. Though the structure lacks a real door, the two large windows are filled with actual shoes and bags by Prada.
Megan Blossom and Reiko Igarashi completed the modern interior decor and styling, finding inspiration from the building's rich history. The designers retained much of the original character:  the carved wooden handrail remains on the stair, wood trim and wainscot accent the walls, and original doors are re-purposed as custom millwork.
Megan Blossom and Reiko Igarashi completed the modern interior decor and styling, finding inspiration from the building's rich history. The designers retained much of the original character: the carved wooden handrail remains on the stair, wood trim and wainscot accent the walls, and original doors are re-purposed as custom millwork.
Each villa is composed of a series of spaces, varying from two to three bedrooms, and offers different views out to the ocean. Overlapping timber roofs made from recycled teak planks and built by local craftsman provide shade from the powerful sun.
Each villa is composed of a series of spaces, varying from two to three bedrooms, and offers different views out to the ocean. Overlapping timber roofs made from recycled teak planks and built by local craftsman provide shade from the powerful sun.
The rooms evoke a feeling of the Old West, thanks to an earthy color palette, wainscoting, and brass accents.
The rooms evoke a feeling of the Old West, thanks to an earthy color palette, wainscoting, and brass accents.
The building was originally designed by F.W.M. Poggenbeek in 1908 and was expanded in phases until 1932. The layout follows what would be expected for a bank with vaults on the ground floor and basement, a monumental bank hall on the first floor, and office space located on the upper floors.
The building was originally designed by F.W.M. Poggenbeek in 1908 and was expanded in phases until 1932. The layout follows what would be expected for a bank with vaults on the ground floor and basement, a monumental bank hall on the first floor, and office space located on the upper floors.