Terrasse pastel

A Peter Ivy pendant hangs over the dining table and benches, also by Taku. At one end is a collection of candlesticks, prototypes for Tortoise that will be manufactured in Hokkaido.  The simple wood treads on the open-riser staircase complement the unfinished ceiling beams.
A Peter Ivy pendant hangs over the dining table and benches, also by Taku. At one end is a collection of candlesticks, prototypes for Tortoise that will be manufactured in Hokkaido. The simple wood treads on the open-riser staircase complement the unfinished ceiling beams.
"In architecture, we tend toward natural materials and raw metals. In furniture, we like color,
"In architecture, we tend toward natural materials and raw metals. In furniture, we like color,
Builder Ross Percival helped finesse the finely tuned detailing that separates the internal slope from the rock outside (opposite). The Pedro wire stool is by Craig Bond for Candywhistle.
Builder Ross Percival helped finesse the finely tuned detailing that separates the internal slope from the rock outside (opposite). The Pedro wire stool is by Craig Bond for Candywhistle.
The Lollygagger sofa is a double-wide extension of the Lollygagger lounge.
The Lollygagger sofa is a double-wide extension of the Lollygagger lounge.
VMM Bench by Marc Supply and Anneli Lahtua: We like the sunny splash of color this bench adds to any space. Photo by Filip Dujardin
VMM Bench by Marc Supply and Anneli Lahtua: We like the sunny splash of color this bench adds to any space. Photo by Filip Dujardin
For a cost-conscious 2,000-square-foot renovation located 30 minutes outside of Austin, Texas, architect Nick Deaver took a look around for inspiration. He spied galvanized metal cladding on the region’s sheds and co-opted the inexpensive, resilient material for his own design. He then applied locally quarried Lueders limestone near the entrance—a warm contrast to the steely facade.
For a cost-conscious 2,000-square-foot renovation located 30 minutes outside of Austin, Texas, architect Nick Deaver took a look around for inspiration. He spied galvanized metal cladding on the region’s sheds and co-opted the inexpensive, resilient material for his own design. He then applied locally quarried Lueders limestone near the entrance—a warm contrast to the steely facade.
These wood-wrapped spaces take oriented strand board to new heights.
These wood-wrapped spaces take oriented strand board to new heights.