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Collection by Angie Hughes

Sucre Maison

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Looking into the warm, brightly lit house at night offers a different kind of view, one that charmingly recalls the cutaway dioramas in Wes Anderson’s films.
Looking into the warm, brightly lit house at night offers a different kind of view, one that charmingly recalls the cutaway dioramas in Wes Anderson’s films.
The dining room is delineated from the kitchen by a long kitchen island with a higher partition between the two spaces. The island provides storage along its length, with exposed shelving at the ends. The drum lighting pendants by Axiom were also made using local timber.
The dining room is delineated from the kitchen by a long kitchen island with a higher partition between the two spaces. The island provides storage along its length, with exposed shelving at the ends. The drum lighting pendants by Axiom were also made using local timber.
By eliminating walls and incorporating a series of interior gardens, architect José Roberto Paredes creates an eclectic and inspired El Salvador beach house. In the kitchen, rough-hewn materials like a eucalyptus-log-and-thatch roof offset the monolithic concrete island and glossy subway tile backsplash. Claudia & Harry Washington built the vivid wooden sliding walls, which are inspired by the palm leaves that change color and create diagonal patterns in trees near the house. The bar stools were a street market discovery.
By eliminating walls and incorporating a series of interior gardens, architect José Roberto Paredes creates an eclectic and inspired El Salvador beach house. In the kitchen, rough-hewn materials like a eucalyptus-log-and-thatch roof offset the monolithic concrete island and glossy subway tile backsplash. Claudia & Harry Washington built the vivid wooden sliding walls, which are inspired by the palm leaves that change color and create diagonal patterns in trees near the house. The bar stools were a street market discovery.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
Usha and Mike Kreaden had a virtually blank slate when it came to the garden outside the 1958 Joseph Eichler house that they bought in Silicon Valley two decades ago.
Usha and Mike Kreaden had a virtually blank slate when it came to the garden outside the 1958 Joseph Eichler house that they bought in Silicon Valley two decades ago.