The photographs are by Ruth Thorne-Thomsen. On the ground level, a CB2 sofa overlooks the back courtyard.
Chicago architect Brad Lynch demolished the 1940s bungalow he’d been sharing with his family for nearly two decades, and in its place built a brick-clad structure that would function as a modern counterpoint to its more traditional neighbors.
Next to the bathroom and above the living room, the terrace is open to sky, street, and the house itself. It has no roof, so daylight floods the entire wall-less building from the top down. The willow-green metal chairs are by Fermob.
The sunken tile tub and shower in the ensuite master bathroom enjoys an outdoor connection in the form of a small atrium.
A custom-tailored mechanism allows six floor-to-ceiling sliding glass doors to open along the entire width of the living space, creating a seamless transition from indoors to out.
Jardins House by CR2 Arquitetura
The living areas and an office are arranged in an open layout around a central atrium that is open to the outdoors.
This enclosed patio within one of the modules invites residents to enjoy the outdoors while still protected from the intense heat. The dining room table and chairs designed by Hector Esrawe.
In Eugene, Oregon, the designer Ben Waechter transformed a small single-family house into a sales space for J-Tea International, adding an eye-catching canopy and a cedar porch to entice shoppers.
A few years ago, photographer Peter Krasilnikoff asked Studio David Thulstrup to create his new Copenhagen home from an old pencil factory and incorporate a green space. Taking inspiration from urban rooftop gardens and
On the terrace, an eastern-cedar deck serves as a mid-city oasis.
Originally dating to the 1970s, Hotel Carlota was revamped by JSa Arquitectura and completed in 2015. As part of the renovation, a pool became the focal point of the courtyard, and its modernized, streamlined design makes a dramatic statement.
The house features several courtyards, conveying an ever-present sense of indoor-outdoor living. Concrete walls are lined with yellow jasmine, and the wall sculpture is taken from Manuel Felguérez’s fence for the National Anthropology Museum.
In the outdoor dining room, wire chairs by Harry Bertoia for Knoll surround a mango wood table made by a local carpenter, Diego Madrazo.
This open-ended box, lined in mirrored glass, performs like a kaleidoscope, amplifying the mature Melia tree’s presence within the dining room.