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Collection by Lucy Cox

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Seen from the guesthouse, the new home touches every corner of the property without overwhelming its natural beauty.
Seen from the guesthouse, the new home touches every corner of the property without overwhelming its natural beauty.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
The carport leads to the entrance.
The carport leads to the entrance.
The light fixtures, a string of dangling lights seen above the dining table, emulate what SHED Architects principal Thomas Schaer calls Zema’s “builderly” style: straightforward and unpretentious. The wooden screens, seen top right, are all-new to the house but follow Zema’s Japanese-inspired style.
The light fixtures, a string of dangling lights seen above the dining table, emulate what SHED Architects principal Thomas Schaer calls Zema’s “builderly” style: straightforward and unpretentious. The wooden screens, seen top right, are all-new to the house but follow Zema’s Japanese-inspired style.
The original house was a single-story structure, not robust enough to carry a second floor. Fritz’s solution was to build an upper level that functions like a bridge, spanning the original structure without compromising it.
The original house was a single-story structure, not robust enough to carry a second floor. Fritz’s solution was to build an upper level that functions like a bridge, spanning the original structure without compromising it.
At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.
A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.
Marcel Breuer, Hooper House II
Marcel Breuer, Hooper House II
Katherine Lambert, a partner at Metropolitan Architectural Practice (MAP), and her business associate Christiane Robbins, painstakingly restored a 1950s redwood-and-glass house in Napa, California, originally designed by Jack Hillmer of Telesis.
Katherine Lambert, a partner at Metropolitan Architectural Practice (MAP), and her business associate Christiane Robbins, painstakingly restored a 1950s redwood-and-glass house in Napa, California, originally designed by Jack Hillmer of Telesis.
With four children under the age of six, the Ruells have learned not to be overprotective of their collection of contemporary and vintage furniture. In the living room, an Eames lounge chair and ottoman sit on a Moroccan rug from M.Montague, while the family’s eldest child, Mirene, surveys the indoor/outdoor view. Throughout the house, Kolbe windows and fixed glass (in existing jambs) were added to increase energy efficiency.
With four children under the age of six, the Ruells have learned not to be overprotective of their collection of contemporary and vintage furniture. In the living room, an Eames lounge chair and ottoman sit on a Moroccan rug from M.Montague, while the family’s eldest child, Mirene, surveys the indoor/outdoor view. Throughout the house, Kolbe windows and fixed glass (in existing jambs) were added to increase energy efficiency.