Collection by Dianna Labrada
Project 1
"It was nothing but a muddy pit," landscape architect Terence Lee says about the 500-square-foot yard behind his Pacifica, California, house. Instead of filling the space with potted plants or paving it over for a quick fix, Lee devised a simple budget-friendly plan involving tilted lines and a few plants to fashion a functional, low-maintenance space fit his family of five's lifestyle.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
The home’s facade is private and mysterious, without discernable windows or openings. The exterior is made of concrete tiles, black plaster, and wooden trellises. The trellises act as a light screen, allowing only cracks of light to penetrate the exterior. The entry is camouflaged in the plane of the trellises, which adds to the opaque and impenetrable aesthetic at the front facade.
To most eyes, Ezequiel Farca’s 1970s-style concrete home in Mexico City looked like a teardown. Even the lot itself—shallow and crammed against a steep hillside—wasn’t particularly alluring. But Farca saw through all the restraints to create a spa-like refuge in one of the world’s most energetic cities. "It’s is such a hectic place. You’re bombarded by so much information the moment you step into the streets," says Farca, who first gained prominence as a furniture and interior designer. "So we envisioned this house as a retreat, a kind of a temple." The rooftop courtyard is lined with a verdant mix of indigenous plants, including banana trees, palm trees, lion’s claw, Mexican breadfruit, and native vines. The chaise longues were designed for Farca’s EF Collection.
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