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Collection by Samantha Daly

Primary Colors

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The interiors of Hugh Smallen's 1963 Becker House are accented by a rich blue that connects the two levels, while a vibrant yellow draws attention towards the living room.
The interiors of Hugh Smallen's 1963 Becker House are accented by a rich blue that connects the two levels, while a vibrant yellow draws attention towards the living room.
In a small seating area at the base of a two-story tower, Oslo chairs and sofas by Anderssen& Voll are paired with Around tables by Thomas Bentzen, all from Muuto. The lamp from Svenskt Tenn was designed by Josef Frank in 1938.
In a small seating area at the base of a two-story tower, Oslo chairs and sofas by Anderssen& Voll are paired with Around tables by Thomas Bentzen, all from Muuto. The lamp from Svenskt Tenn was designed by Josef Frank in 1938.
Flying Carpet by Ana Mir and Emili Padrós for nanimarquina.
Flying Carpet by Ana Mir and Emili Padrós for nanimarquina.
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Counter-Composition XV (1925) by Theo van Doesburg. On display at the Tate Modern in London through May 16, 2010, as part of the Van Doesburg and the International Avant-Garde: Constructing a New World exhibit. On loan from the Museum of Modern Art's Sidney and Harriet Janis Collection.
Counter-Composition XV (1925) by Theo van Doesburg. On display at the Tate Modern in London through May 16, 2010, as part of the Van Doesburg and the International Avant-Garde: Constructing a New World exhibit. On loan from the Museum of Modern Art's Sidney and Harriet Janis Collection.
Doesburg Theo van (1883-1931): Simultaneous Counte
Doesburg Theo van (1883-1931): Simultaneous Counte
The glass wall separating the main living area and the inner courtyard garden opens like an accordion to create a barrier-free transition. Built-in planters along the walls of the courtyard add greenery without eating into the valuable surface area of the courtyard.
The glass wall separating the main living area and the inner courtyard garden opens like an accordion to create a barrier-free transition. Built-in planters along the walls of the courtyard add greenery without eating into the valuable surface area of the courtyard.
Tissu simultané no. 186, France, 1926. Block-printed cotton. Musée de l’Impression sur Étoffes, Mulhouse. © L & M SERVICES B.V. The Hague 20100623.
Tissu simultané no. 186, France, 1926. Block-printed cotton. Musée de l’Impression sur Étoffes, Mulhouse. © L & M SERVICES B.V. The Hague 20100623.
Just outside the Bethnal Green home of industrial designer Nina Tolstrup and her husband, Jack Mama, is this wonderfully vibrant guesthouse they designed with red chairs made from castoffs as part of Tolstrup’s Re-Imagine series, and a small blue Pallet chair from Studiomama.
Just outside the Bethnal Green home of industrial designer Nina Tolstrup and her husband, Jack Mama, is this wonderfully vibrant guesthouse they designed with red chairs made from castoffs as part of Tolstrup’s Re-Imagine series, and a small blue Pallet chair from Studiomama.