Collection by Kate Reggev
"In the kitchen, we changed the layout," Davison says. "It was a galley kitchen, extending lengthways into the room. We spun it back along the back wall. The tiles are Moroccan concrete tiles that came from a supplier here in Manhattan. The idea was to inject some color and playfulness into the space with the blue cabinetry." Photo by Alan Gastelum.
A dining area occupies a space between the living room and media room. Photo by Francis Dzikowski/ESTO.
The renovated apartment has a brighter, more open feel than it did previously. Photo by Francis Dzikowski/ESTO.
The couple retained the strongest architectural aspects of the house, such as the existing arch in the hall, and did away with others, such as a previous kitchen renovation.
The Torroja pendant light by David Weeks hangs in the dining area, standing in sharp relief to the home’s original brick, now painted white (in Benjamin Moore Paper White)along with the wooden floorboards (in Benjamin Moore Revere Pewter). Radiant heat underfoot means a toasty interior even without a surfeit of textiles. Photo by Matthew Williams.
Four bedrooms make up the private areas of the home, which all benefit from natural light and a complementary airy design. Custom built-in shelves and a walkthrough closet with enclosed cabinets are featured in this room, as well as bedding by Coyuchi.
Reclaimed oak with a custom finish by LV Wood surrounds a staircase in a herringbone pattern. The new stairs are painted off black by Farrow & Ball, and the handrail that lines them is of salvaged mahogany.
As much as the owners and Roberts wanted – and needed – to modernize the home, they also tried to honor some of its historical touches. They preserved the mantel, and replaced the plaster crowns on the parlor level. The antique chaise is by Lisa Sherman, and the walls are painted pavilion gray by Farrow & Ball.
In the main bathroom, Art Deco crown molding reminds residents of the house’s past. New fixtures include white laminate cabinets and sinks and faucets by Roger Seller.
“We wanted as much built-in storage as we could fit in order to maximize the space and not have furniture getting in the way.” —Jonny Bauer, resident
The former workman’s cottage had undergone dated renovations.
An ample sill made of English elm was built into two front windows to create a gathering spot that is visually connected to the street. Donna Wilson’s lively Ernest pouf in coral Nos Da upholstery for SCP adds extra seating in the living room.
Photo by Francis Dzikowski/ESTO.
The living room as it appeared before the renovation. Photo courtesy of Ed Kopel.
The ornate facade of the Art Nouveau building carries over into the entrance. The floral pattern of the original tile floor begins in the entrance hall and continues throughout the apartment; it is offset by a sleek iron table from Minim.
Onwers Alex Gil and Claudia DeSimio reconfigured the space inside their 2,000-square-foot duplex, creating one open area to hold a monolithic "wedge core" to house the staircase. "The older the building, the more you can adhere to older codes, which gives you more liberty," says Gil, who heads the architecture firm Spacecutter.
A detail of a wall illustrates Benedetta's eye for pattern and texture.
The tin panels lining the stairs are original to the house.
The bedroom is tucked in the back of the residence and doesn’t receive a lot of natural light. The couple emphasized the coziness of the space by painting the walls in Space Black from Benjamin Moore and selecting an oversize artwork, Flotar, 2011, by Christian Curiel. The bed is a Louis XV–style reproduction, approximately from the 1950s, that Gil and DeSimio found on eBay.
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