Collection by Hegar Egieara
Thirty vertical feet of glass constantly face the stairwell, providing framed views of the sky, trees, and backyard. Materia Arquitectónica co-founder Gustavo Carmona describes it as an “interior façade” that blurs the barrier between interior and exterior.
Thirty vertical feet of glass constantly face the stairwell, providing framed views of the sky, trees, and backyard. Materia Arquitectónica co-founder Gustavo Carmona describes it as an “interior façade” that blurs the barrier between interior and exterior.
This 1930s farmhouse on the coast of Tuscany is sited on a podere, land claimed from 

the low-lying salt marshes by the Fascist government in the early decades of the 20th 

century. The Dutch technique of “podering” the landscape refers to the process of creating a grid of levees and then draining the squares, which leaves a gridded farmscape with low, even ridges dividing it.
This 1930s farmhouse on the coast of Tuscany is sited on a podere, land claimed from the low-lying salt marshes by the Fascist government in the early decades of the 20th century. The Dutch technique of “podering” the landscape refers to the process of creating a grid of levees and then draining the squares, which leaves a gridded farmscape with low, even ridges dividing it.
Exterior Front of House with Board Form Landscape Walls
Exterior Front of House with Board Form Landscape Walls
Villa Le Trident owes its name to the steep three-pronged piece of land on which it is situated. Before and after the Second World War, the likes of Picasso, Somerset Maugham, and the Windsors all paid a visit to Dierks and his stunning French getaway.
Villa Le Trident owes its name to the steep three-pronged piece of land on which it is situated. Before and after the Second World War, the likes of Picasso, Somerset Maugham, and the Windsors all paid a visit to Dierks and his stunning French getaway.
The concrete wall echoes the curves of the pool’s portholes.
The concrete wall echoes the curves of the pool’s portholes.
An existing non-descript structure, perched above the crest of the dune between the ocean and bay, was thoroughly transformed. We utilized clearly defined volumes, simple, durable, yet elegant materials and details instilling a strong connection between the indoors and out.
An existing non-descript structure, perched above the crest of the dune between the ocean and bay, was thoroughly transformed. We utilized clearly defined volumes, simple, durable, yet elegant materials and details instilling a strong connection between the indoors and out.
The site is masterfully landscaped and includes several decks and a reflecting pool.
The site is masterfully landscaped and includes several decks and a reflecting pool.
Formerly the site of a French polishing company in the 20th century, this building in Clerkenwell, London, was converted by Chris Dyson Architects in 2015 into a residence with an expanded basement and triple-height living space that allows a dramatic feature staircase to take center stage.
Formerly the site of a French polishing company in the 20th century, this building in Clerkenwell, London, was converted by Chris Dyson Architects in 2015 into a residence with an expanded basement and triple-height living space that allows a dramatic feature staircase to take center stage.
To allude to the nearby ocean, the architects designed a seaweed patterned for the interior of the garage door (seen here raised). It successfully reads like a leather padded wall and makes “the cube” feel that much more customized.
To allude to the nearby ocean, the architects designed a seaweed patterned for the interior of the garage door (seen here raised). It successfully reads like a leather padded wall and makes “the cube” feel that much more customized.
Photographer: Michael Moran
Photographer: Michael Moran

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