Collection by Toni Page
My Taste
This is a platform in beta, as is my interaction with it. So we will just start clicking and typing, and see where it takes us.
The concept, called Vooking, was developed for the growing market of vegetarians, vegans and “flexitarians” (otherwise known as part-time vegetarians) in mind. Comprised of seven units divided into “passive” and “active” cooking zones, the concept kitchen contains a mixture of intriguing components, from a custom spice and built-in mortar/pestle station to an integrated sprout garden. Backed by big-name corporations like Gaggenau, Franke, and Dornbracht, the design team hopes to influence both the meat-eschewing consumer and the kitchen industry at large. Courtesy of Michael Liebert.
The alleyway extends into a full kitchen, where meals can be prepared right beside family gatherings. While the main frame of the home was built with the typical concrete, brick, and steel, the materials for the roof and floor tiles, as well as doors, windows, shelving and interior furnishings, were sourced primarily from demolished Saigon homes.
With clever storage and a retractable skylight, a London apartment designed by metalworker and owner Simone ten Hompel and Roger Hynam of Rogeroger Design Solutions feels larger than its 576 square feet. The team worked in a uniquely collaborative way, with Ullmayer Sylvester planning the space, Hynam creating the built-in storage and the kitchen island, and ten Hompel making models and scrawling on the wall to better envision their proposals. The kitchen island features a compact cooktop by Whirlpool and an integrated drainboard incised into the countertop for easy cleaning.
Wooten anchored the kitchen with a faux-bois coatrack from France. “Since Greg’s furniture is predominantly wood, we chose to make the interior all wood,” says Massie. “We used laser-cut mahogany and cherry plywood with jigsaw edges to make the house more like a cabin—albeit a very modern one. This puzzle piece motif is something that I’ve done in every project before and after this one—it’s a different way of having surfaces come together without having to abide by a modernist rule of panels. We can snap the whole thing together with eccentric uniformity, and it’s really simple.”
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