Collection by Lynn Borowitz
The original layout was very much of the time: a perfect midcentury modern flow, with a closed-off kitchen and a fire put in the floor. “They were cool but impractical spaces,” says Schaer.
The original layout was very much of the time: a perfect midcentury modern flow, with a closed-off kitchen and a fire put in the floor. “They were cool but impractical spaces,” says Schaer.
Jorge Pliego and Cony Mier built a home outside Mexico City with polished black concrete floors that have been rid of their top-most layer of gravel to reveal the terrazzo-like texture of the mixture. “The pigment is made from natural colorants and different types of earth,” says Agustín Pereyra, an architect who collaborated with Michel Rojkind on the house.
Jorge Pliego and Cony Mier built a home outside Mexico City with polished black concrete floors that have been rid of their top-most layer of gravel to reveal the terrazzo-like texture of the mixture. “The pigment is made from natural colorants and different types of earth,” says Agustín Pereyra, an architect who collaborated with Michel Rojkind on the house.
This single-family residence in Bloomfield, Michigan, known as the Treehaus, embodies the iconic style of midcentury modernism. Thanks to a thoughtful renovation, this rare dwelling has been restored to its original state of refined elegance.
This single-family residence in Bloomfield, Michigan, known as the Treehaus, embodies the iconic style of midcentury modernism. Thanks to a thoughtful renovation, this rare dwelling has been restored to its original state of refined elegance.
The home features a combination of interior and exterior living spaces that afford privacy to the occupants. “There are social spaces for everyone to be together, but also spots outside the building where people can have a private coffee—and that’s so important,” says architect Line Solgaard.
The home features a combination of interior and exterior living spaces that afford privacy to the occupants. “There are social spaces for everyone to be together, but also spots outside the building where people can have a private coffee—and that’s so important,” says architect Line Solgaard.
The materials for the prefab were chosen to help the lodge blend into the wood. According to the architects, “the lodge features an intentionally limited palette of natural materials, including the same species of timber, western red cedar, on the external cladding and internal lining. Left unfinished, the exterior will weather naturally to a silver-gray color that is reminiscent of the local landscape, which will contrast the cozy, warmer tones of the interior."
The materials for the prefab were chosen to help the lodge blend into the wood. According to the architects, “the lodge features an intentionally limited palette of natural materials, including the same species of timber, western red cedar, on the external cladding and internal lining. Left unfinished, the exterior will weather naturally to a silver-gray color that is reminiscent of the local landscape, which will contrast the cozy, warmer tones of the interior."
52 Starboard Rock Rd in Vinalhaven, Maine, is currently listed for $1,795,000 by Joseph Sortwell of LandVest Real Estate.
52 Starboard Rock Rd in Vinalhaven, Maine, is currently listed for $1,795,000 by Joseph Sortwell of LandVest Real Estate.
One of the first Dwell Houses, built by Abodu, was installed at Leslie Scharf’s vineyard home in Healdsburg, California. Norm Architects led the design of the 540-square-foot prefab, which is wrapped in Real Cedar siding.
One of the first Dwell Houses, built by Abodu, was installed at Leslie Scharf’s vineyard home in Healdsburg, California. Norm Architects led the design of the 540-square-foot prefab, which is wrapped in Real Cedar siding.
While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”
While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”
An existing, tall Douglas fir stands sentinel at the left corner of the property outside the concrete wall. Pattison planted Colorado blue spruces in front of the Corten steel infills.
An existing, tall Douglas fir stands sentinel at the left corner of the property outside the concrete wall. Pattison planted Colorado blue spruces in front of the Corten steel infills.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
"A lot of people thought we were crazy to put in a fireplace in a Florida home, but the biggest surprise for my wife and me has been how much we use it,
"A lot of people thought we were crazy to put in a fireplace in a Florida home, but the biggest surprise for my wife and me has been how much we use it,