As the most common type of kitchen sink, the top-mount sink is installed by inserting the sink into a pre-cut hole in the countertop. The wide rim around the sink supports it on top of the countertop, and is then caulked in place with silicone for a water-tight fit.
Large windows bring ample natural light inside the 130-square-foot structure. While the toilet is positioned inside the cabin, the shower is located on the exterior and is hidden from view.
The entire home is wrapped in pine tongue-and-groove, which matches the original finish on the ceiling.
The ceiling, floors, and walls are clad in oak. The transverse walls are clad in black-stained oak laminate that contrasts with the natural wood finishes.
The restrained 820-square-foot interior is defined by the angular ceiling. Garlick left the prefabricated structural panels unfinished to save on material costs. A True North wood stove from Pacific Energy heats the house. Max, the family’s cat, naps on a vintage rug purchased on eBay.
The home’s high-efficiency windows are oriented to maximize natural light. At night, the floating, wood-burning fireplace creates a cozy gathering space among lounge chairs and faux-fur throws. Vintage rugs on the concrete floor add an additional layer of warmth and texture.
An 11-foot-wide trifold glass door opens the art studio to the landscape, where rolling hills surround a large glassy pond.
A tastefully spare selection of vintage pieces accents the warm knotty pine in the master bedroom. The orientation of the room maximizes the picture window that replaced the original garage door. Campbell designed a closet in an alcove behind the wall at the head of the bed.
A wooden ladder leads up to the loft bedroom. A wood-burning stove provides heating.
The built-in bench that borders the cantilevered bed features two storage drawers and a hatch that accesses an additional storage compartment.
Garapera, a tropical hardwood, is used extensively throughout the cabin, including the ceilings, floors, walls, stairs and exterior for a unified appearance.
Originally intended as a play structure for the couple's daughter, the tea house instead became an office, stocked with Charles and Ray Eames-designed furniture in honor of the nearby Eames House.
Throughout the home, the walls and floors feature the natural grain patterns of lacquered plywood. The Stokke Tripp Trapp chair in the dining room was Lizz’s when she was growing up in the 1980s while the two Steen Ostergaard chairs were a thrift store find, and Project Room designed the table.
All of the exterior furnishings are from Fermob. The wood-burning fireplace anchors the open living-dining space.
The bathroom set-up echoes that of the kitchen. A single-bowl, apron-front sink sits on a thin steel shelf, with exposed plumbing and separate hot and cold taps. The tall, slim inset mirror conceals a medicine chest in the bottom portion.
The strips of cedar on the ceiling that fan out from the ridge beam are “meant to evoke the canopy of the surrounding conifers,” says the firm. The built-in cabinetry throughout is Sapele.
“An important part of the work was to design large common spaces, and to be able to receive a large number of people,” note the architects. “The common spaces are designed for the coexistence between family and friends.”
In this updated 1950s Portland home, a light gray Neo sofa by Bensen harmonizes with warm wooden walls, ceilings, and floors, as well as a red-and-mustard-yellow vintage rug.