Collection by Celso Flader
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
A custom blue-gray built-in storage unit, which includes shelving, cupboards, and drawers, runs throughout the home, connecting the rooms. “The tone is calm and creates a dark base,” Wåhlin says. “The apricot pink, together with the sandy colors, reflect light but give a warmth to the space and contrast with the blue tones. Together, they become dynamic.”
A custom blue-gray built-in storage unit, which includes shelving, cupboards, and drawers, runs throughout the home, connecting the rooms. “The tone is calm and creates a dark base,” Wåhlin says. “The apricot pink, together with the sandy colors, reflect light but give a warmth to the space and contrast with the blue tones. Together, they become dynamic.”
To inform the color palette for this interior renovation in Stockholm, NOTE Design Studio began with three inspirational images. The sculptural fireplace, covered in plaster, contrasts with oak parquet floors.
To inform the color palette for this interior renovation in Stockholm, NOTE Design Studio began with three inspirational images. The sculptural fireplace, covered in plaster, contrasts with oak parquet floors.
A finished attic can be the perfect spot for a private—and quiet—home office.
A finished attic can be the perfect spot for a private—and quiet—home office.
Designer in Brooklyn, New York

"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.
Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”