Loft

A piece by John Belingheri hangs in the living room of the Bancroft family’s home, which is centered by an Antonio Citterio sofa and Robert Marinelli tables.

A 200-year-old factory in Umbria is transformed into an inviting home by designer Paola Navone. In the seating area, a trolley found at a flea market functions as the coffee table alongside an expansive Navone-designed sofa for Linteloo. Custom pendants by photographer Mark Eden Schooley hang above the dining table. Photo by Wichmann + Bendtsen.

By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.

Loft Szczecin designed several pieces of original plywood furniture for the kitchen. The jet-black refrigerator is from Smeg.

Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."

The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."

The Scandinavian pavilion will be decked out with furniture and accessories that embody Hygge—a Danish term implying warmth, coziness, and friendliness. This renovated loft in Copenhagen by Vipp Chief Designer online Morten Bo Jensen and his wife, Kristina May Olsen highlights that concept. Photo by Anders Hviid.

This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.

Structural changes were immediately made to the original shell to bring in more natural light. The small windows on the front façade were dramatically replaced with a folding window assembly that stretches the entire width of the room. Skylights were cleverly added slightly beneath the peak pitch of the roof to funnel light towards the mezzanine, while still illuminating the main floor below. Warm, rich iroko wood spans the ceiling and wall, and also extends to the seating bench beneath the window.

Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.

The main bathroom is only partially separated from the sleeping area by a glass partition. The absence of opaque walls creates a feeling of openness and cohesion in the bright mezzanine space.

When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.

Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”