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Collection by Mark Jones

Loft

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“I believe that whenever you’re hiring an artist, and Funn is an artist, he’s going to do his best work if he’s trusted,” says Kartheiser.
“I believe that whenever you’re hiring an artist, and Funn is an artist, he’s going to do his best work if he’s trusted,” says Kartheiser.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Indoor Sunbathing“In the morning, the eastern light comes into the small terrace by the kitchen,” De Smedt says. “If I have work to do at home, which I do a lot, I’ll sit at the dining table and just look out. And in the summer, I’m out on the terrace. On clear nights, I’ll head upstairs. There’s a skylight and you can see the stars. Even in the city, you totally can! The skylight really changes the condition of the interior. If you light that gap in the evening from the outside, it’s as if there is daylight.” The Inconstant Gardener“I have a lot of cacti, which is probably because I don’t have a green thumb,” admits De Smedt of his sculptural flora. Inspired perhaps by his neighbors’ greenhouse just across from his patio, the architect’s next project for the apartment involves turning the terrace into something of an oasis—as long as the plants are hardy. “I have an idea to grow some ivy.”
Indoor Sunbathing“In the morning, the eastern light comes into the small terrace by the kitchen,” De Smedt says. “If I have work to do at home, which I do a lot, I’ll sit at the dining table and just look out. And in the summer, I’m out on the terrace. On clear nights, I’ll head upstairs. There’s a skylight and you can see the stars. Even in the city, you totally can! The skylight really changes the condition of the interior. If you light that gap in the evening from the outside, it’s as if there is daylight.” The Inconstant Gardener“I have a lot of cacti, which is probably because I don’t have a green thumb,” admits De Smedt of his sculptural flora. Inspired perhaps by his neighbors’ greenhouse just across from his patio, the architect’s next project for the apartment involves turning the terrace into something of an oasis—as long as the plants are hardy. “I have an idea to grow some ivy.”
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
Melissa and Keith Bishop successfully simplified their 720-square-foot loft space. Photo by: Jake Stangel
Melissa and Keith Bishop successfully simplified their 720-square-foot loft space. Photo by: Jake Stangel
Globetrotting Belgian architect Julien De Smedt carves out a space to call his own in a converted industrial loft building in Brussels. Photo by Frederik Vercruysse.
Globetrotting Belgian architect Julien De Smedt carves out a space to call his own in a converted industrial loft building in Brussels. Photo by Frederik Vercruysse.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”