Collection by Britney McCoy
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
The bed was designed to hang from the ceiling and can be hoisted up and pulled down as needed.
The bed was designed to hang from the ceiling and can be hoisted up and pulled down as needed.
Designer in Brooklyn, New York

"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
The interior of Met Lofts studio suite #634, designed by Laura Schwartz-Muller, CEO, Founder and Principal of FOUR POINT Design+Construction, Inc.
The interior of Met Lofts studio suite #634, designed by Laura Schwartz-Muller, CEO, Founder and Principal of FOUR POINT Design+Construction, Inc.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
One entire wall of the space is dedicated to storage. A simple, clean iron rod shelving system was conceptualized to span the entire wall left to right, and both floors top to bottom. Depending on the location of the storage wall, the nondescript iron grid can be used to house items in the living room, kitchen, library, or bedroom areas.
One entire wall of the space is dedicated to storage. A simple, clean iron rod shelving system was conceptualized to span the entire wall left to right, and both floors top to bottom. Depending on the location of the storage wall, the nondescript iron grid can be used to house items in the living room, kitchen, library, or bedroom areas.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”