Collection by Raymond Oscar Lim
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
Modern Loft with Designer Halfpipe (Los Angeles, USA)

While the colorful, green-and-pink accents in this mid-century styled loft demand attention, it’s hard for any furniture to overshadow the working half-pipe in the center of the 1,500-square-foot loft in Boyle Heights. While the outdoor patio and BBQ, accessible by a large roll-up door, strongly suggests grilling and evenings drinks al fresco, you may want to bring your deck just in case.

Listing at LA - Large Creative Skate Loft!
Modern Loft with Designer Halfpipe (Los Angeles, USA) While the colorful, green-and-pink accents in this mid-century styled loft demand attention, it’s hard for any furniture to overshadow the working half-pipe in the center of the 1,500-square-foot loft in Boyle Heights. While the outdoor patio and BBQ, accessible by a large roll-up door, strongly suggests grilling and evenings drinks al fresco, you may want to bring your deck just in case. Listing at LA - Large Creative Skate Loft!
The Scandinavian pavilion will be decked out with furniture and accessories that embody Hygge—a Danish term implying warmth, coziness, and friendliness. This renovated loft in Copenhagen by Vipp Chief Designer online Morten Bo Jensen and his wife, Kristina May Olsen highlights that concept.

Photo by Anders Hviid.
The Scandinavian pavilion will be decked out with furniture and accessories that embody Hygge—a Danish term implying warmth, coziness, and friendliness. This renovated loft in Copenhagen by Vipp Chief Designer online Morten Bo Jensen and his wife, Kristina May Olsen highlights that concept. Photo by Anders Hviid.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.
The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.
Concrete stairs leading up to a sleeping loft are illuminated with wall sconces.
Concrete stairs leading up to a sleeping loft are illuminated with wall sconces.
Designer in Brooklyn, New York

"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
A skylight floods the loft space with daylight and offers views of the stars at night.
A skylight floods the loft space with daylight and offers views of the stars at night.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.
Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.
Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.
Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.
The loft addition afforded space for a home office and music area. The family chose to forego a dedicated office upstairs, instead prioritizing private bedrooms for each of the children. Shelving and a built-in desk anchor the loft’s far wall.
The loft addition afforded space for a home office and music area. The family chose to forego a dedicated office upstairs, instead prioritizing private bedrooms for each of the children. Shelving and a built-in desk anchor the loft’s far wall.
In New York City, Sarah Zames of General Assembly renovated a Greenwich Village loft originally constructed in 1868. "The client wanted to maximize the efficiency of the space," she says. Zames and her team completely overhauled the space to create a modern haven in bustling Manhattan.
In New York City, Sarah Zames of General Assembly renovated a Greenwich Village loft originally constructed in 1868. "The client wanted to maximize the efficiency of the space," she says. Zames and her team completely overhauled the space to create a modern haven in bustling Manhattan.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”

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