SubscribeSign In
Collection by Mitchell Dunson

Loft

View 8 Photos
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.
The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Structural changes were immediately made to the original shell to bring in more natural light. The small windows on the front façade were dramatically replaced with a folding window assembly that stretches the entire width of the room. Skylights were cleverly added slightly beneath the peak pitch of the roof to funnel light towards the mezzanine, while still illuminating the main floor below. Warm, rich iroko wood spans the ceiling and wall, and also extends to the seating bench beneath the window.
Structural changes were immediately made to the original shell to bring in more natural light. The small windows on the front façade were dramatically replaced with a folding window assembly that stretches the entire width of the room. Skylights were cleverly added slightly beneath the peak pitch of the roof to funnel light towards the mezzanine, while still illuminating the main floor below. Warm, rich iroko wood spans the ceiling and wall, and also extends to the seating bench beneath the window.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”