Collection by Nina Rodriguez
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
The demolition of the upper floor, which had been carved up into many small rooms, revealed an expansive loft with an assortment of old skylights.

Bartlett often works on a scale that demands the viewer stand 10 feet back to see it best. When each new piece is ready, it comes up here for the second part of her creative process, further work and viewing. The sofa is a custom plywood piece Bartlett designed for her last home.
The demolition of the upper floor, which had been carved up into many small rooms, revealed an expansive loft with an assortment of old skylights. Bartlett often works on a scale that demands the viewer stand 10 feet back to see it best. When each new piece is ready, it comes up here for the second part of her creative process, further work and viewing. The sofa is a custom plywood piece Bartlett designed for her last home.
The main bathroom is only partially separated from the sleeping area by a glass partition. The absence of opaque walls creates a feeling of openness and cohesion in the bright mezzanine space.
The main bathroom is only partially separated from the sleeping area by a glass partition. The absence of opaque walls creates a feeling of openness and cohesion in the bright mezzanine space.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.