Loft

“I believe that whenever you’re hiring an artist, and Funn is an artist, he’s going to do his best work if he’s trusted,” says Kartheiser.

The stairs up to the loft were a happy mistake, the result of an errant delivery of the wrong type of plywood. The improvised staircase was one of many on-the-fly creations that made this such an exciting project, according to Langston-Jones.

When not in use as the headboard, the large redwood slab folds down to become a desk.

A custom blue-gray built-in storage unit, which includes shelving, cupboards, and drawers, runs throughout the home, connecting the rooms. “The tone is calm and creates a dark base,” Wåhlin says. “The apricot pink, together with the sandy colors, reflect light but give a warmth to the space and contrast with the blue tones. Together, they become dynamic.”

“We took away a very thick, heavy staircase that led to the loft, and designed one that had a much lighter look,” Wåhlin says. “The new one, made of steel, looks simple and indeed light—but is in fact super heavy and was a real challenge to construct.”

A finished attic can be the perfect spot for a private—and quiet—home office.

Illuminated by a String Light from Flos, the bedroom embraces the loft’s palette with a side table, duvet, and pillows by HAY.

Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."

The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.

A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.

Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.

The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.

Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.

Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.

Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.