Loft

Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”

When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.

The main bathroom is only partially separated from the sleeping area by a glass partition. The absence of opaque walls creates a feeling of openness and cohesion in the bright mezzanine space.

Kartheiser's courtyard also includes a dry sauna with a ceiling made from 2,500 pieces of wood.

Globetrotting Belgian architect Julien De Smedt carves out a space to call his own in a converted industrial loft building in Brussels. Photo by Frederik Vercruysse.

Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.

The demolition of the upper floor, which had been carved up into many small rooms, revealed an expansive loft with an assortment of old skylights. Bartlett often works on a scale that demands the viewer stand 10 feet back to see it best. When each new piece is ready, it comes up here for the second part of her creative process, further work and viewing. The sofa is a custom plywood piece Bartlett designed for her last home.

The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.

Indoor Sunbathing“In the morning, the eastern light comes into the small terrace by the kitchen,” De Smedt says. “If I have work to do at home, which I do a lot, I’ll sit at the dining table and just look out. And in the summer, I’m out on the terrace. On clear nights, I’ll head upstairs. There’s a skylight and you can see the stars. Even in the city, you totally can! The skylight really changes the condition of the interior. If you light that gap in the evening from the outside, it’s as if there is daylight.” The Inconstant Gardener“I have a lot of cacti, which is probably because I don’t have a green thumb,” admits De Smedt of his sculptural flora. Inspired perhaps by his neighbors’ greenhouse just across from his patio, the architect’s next project for the apartment involves turning the terrace into something of an oasis—as long as the plants are hardy. “I have an idea to grow some ivy.”

Concrete stairs leading up to a sleeping loft are illuminated with wall sconces.

The Tower House is made up of tiny houses, clustered at the southern end of the property and clad in white steel panels and western red cedar shingles. Spinning off the living room on the north side of the main house, the children’s study sits separate from the other pavilions. On its upper level, Oxley netting forms a web on which the kids and their friends can sit and read with views of the leafy street and garden.

The interior of Met Lofts studio suite #634, designed by Laura Schwartz-Muller, CEO, Founder and Principal of FOUR POINT Design+Construction, Inc.

Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.

Roberts found the Montauk black slate, which he continued in a second bath.

Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.

The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.

The Scandinavian pavilion will be decked out with furniture and accessories that embody Hygge—a Danish term implying warmth, coziness, and friendliness. This renovated loft in Copenhagen by Vipp Chief Designer online Morten Bo Jensen and his wife, Kristina May Olsen highlights that concept. Photo by Anders Hviid.

The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse

The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."