Collection by Kevin Sanchez
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
Loft Szczecin designed several pieces of original plywood furniture for the kitchen. The jet-black refrigerator is from Smeg.
Loft Szczecin designed several pieces of original plywood furniture for the kitchen. The jet-black refrigerator is from Smeg.
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
When not in use as the headboard, the large redwood slab folds down to become a desk.
When not in use as the headboard, the large redwood slab folds down to become a desk.
“We took away a very thick, heavy staircase that led to the loft, and designed one that had a much lighter look,” Wåhlin says. “The new one, made of steel, looks simple and indeed light—but is in fact super heavy and was a real challenge to construct.”
“We took away a very thick, heavy staircase that led to the loft, and designed one that had a much lighter look,” Wåhlin says. “The new one, made of steel, looks simple and indeed light—but is in fact super heavy and was a real challenge to construct.”
Illuminated by a String Light from Flos, the bedroom embraces the loft’s palette with a side table, duvet, and pillows by HAY.
Illuminated by a String Light from Flos, the bedroom embraces the loft’s palette with a side table, duvet, and pillows by HAY.
Designer in Brooklyn, New York

"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”