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Collection by Gaston Vigoo

Loft

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When not in use as the headboard, the large redwood slab folds down to become a desk.
When not in use as the headboard, the large redwood slab folds down to become a desk.
A custom blue-gray built-in storage unit, which includes shelving, cupboards, and drawers, runs throughout the home, connecting the rooms. “The tone is calm and creates a dark base,” Wåhlin says. “The apricot pink, together with the sandy colors, reflect light but give a warmth to the space and contrast with the blue tones. Together, they become dynamic.”
A custom blue-gray built-in storage unit, which includes shelving, cupboards, and drawers, runs throughout the home, connecting the rooms. “The tone is calm and creates a dark base,” Wåhlin says. “The apricot pink, together with the sandy colors, reflect light but give a warmth to the space and contrast with the blue tones. Together, they become dynamic.”
To inform the color palette for this interior renovation in Stockholm, NOTE Design Studio began with three inspirational images. The sculptural fireplace, covered in plaster, contrasts with oak parquet floors.
To inform the color palette for this interior renovation in Stockholm, NOTE Design Studio began with three inspirational images. The sculptural fireplace, covered in plaster, contrasts with oak parquet floors.
A finished attic can be the perfect spot for a private—and quiet—home office.
A finished attic can be the perfect spot for a private—and quiet—home office.
Illuminated by a String Light from Flos, the bedroom embraces the loft’s palette with a side table, duvet, and pillows by HAY.
Illuminated by a String Light from Flos, the bedroom embraces the loft’s palette with a side table, duvet, and pillows by HAY.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Concrete stairs leading up to a sleeping loft are illuminated with wall sconces.
Concrete stairs leading up to a sleeping loft are illuminated with wall sconces.
A skylight floods the loft space with daylight and offers views of the stars at night.
A skylight floods the loft space with daylight and offers views of the stars at night.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”