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Collection by Nicholas Banner

Loft

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In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
Modern Loft with Designer Halfpipe (Los Angeles, USA) While the colorful, green-and-pink accents in this mid-century styled loft demand attention, it’s hard for any furniture to overshadow the working half-pipe in the center of the 1,500-square-foot loft in Boyle Heights. While the outdoor patio and BBQ, accessible by a large roll-up door, strongly suggests grilling and evenings drinks al fresco, you may want to bring your deck just in case. Listing at LA - Large Creative Skate Loft!
Modern Loft with Designer Halfpipe (Los Angeles, USA) While the colorful, green-and-pink accents in this mid-century styled loft demand attention, it’s hard for any furniture to overshadow the working half-pipe in the center of the 1,500-square-foot loft in Boyle Heights. While the outdoor patio and BBQ, accessible by a large roll-up door, strongly suggests grilling and evenings drinks al fresco, you may want to bring your deck just in case. Listing at LA - Large Creative Skate Loft!
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”
Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”