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Collection by Owen Houhoulis

Living With Art

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Louise Lawler, (Bunny) Sculpture and Painting, 1999 cibachrome laminated on aluminum museum box
Louise Lawler, (Bunny) Sculpture and Painting, 1999 cibachrome laminated on aluminum museum box
Lucio Pozzi, Portrait of Dorothy Vogel, 2001, black-and-white photograph. Bowdoin College Museum of Art, Brunswick, Maine, Dorothy and Herbert Vogel Collection Vogel Collection. © Pozzi 2001
Lucio Pozzi, Portrait of Dorothy Vogel, 2001, black-and-white photograph. Bowdoin College Museum of Art, Brunswick, Maine, Dorothy and Herbert Vogel Collection Vogel Collection. © Pozzi 2001
Anchoring the Housemuseum’s music room is the mural YOU’VEALWAYSWANTEDTOBEBLACK (white friend), a 2006 piece by artist Brook Andrew. The red staircase leads to the bedrooms and additional gallery space on the second floor.
Anchoring the Housemuseum’s music room is the mural YOU’VEALWAYSWANTEDTOBEBLACK (white friend), a 2006 piece by artist Brook Andrew. The red staircase leads to the bedrooms and additional gallery space on the second floor.
Dustin Yellin's glass sculptures use magazine clippings to form human-like shapes. Photo by David Deng.
Dustin Yellin's glass sculptures use magazine clippings to form human-like shapes. Photo by David Deng.
“I like to work with the front door open, so I get as much natural light as possible,” Jung says. “Being in LA, the weather is gorgeous pretty much everyday. I work in silence so the only thing you hear is a light breeze that comes through the entire studio."
“I like to work with the front door open, so I get as much natural light as possible,” Jung says. “Being in LA, the weather is gorgeous pretty much everyday. I work in silence so the only thing you hear is a light breeze that comes through the entire studio."
Here's the entry from Will Bruder + Partners, a firm from Arizona. One of the main challenges facing the Kimball is that its entry faces Park Avenue, not Main Street. By orienting the extension to Main, Bruder redresses this programmatic challenge. Notice that in this rendering's panoply of street action that the handsome man in the leather jacket on the left is none other than Robert Redford. Clearly playing to the crowd.
Here's the entry from Will Bruder + Partners, a firm from Arizona. One of the main challenges facing the Kimball is that its entry faces Park Avenue, not Main Street. By orienting the extension to Main, Bruder redresses this programmatic challenge. Notice that in this rendering's panoply of street action that the handsome man in the leather jacket on the left is none other than Robert Redford. Clearly playing to the crowd.
Doug Reed, landscape architect on the project, incorporated indigenous plants into the surrounding site; the large expanse of meadows will flourish in the coming years.
Doug Reed, landscape architect on the project, incorporated indigenous plants into the surrounding site; the large expanse of meadows will flourish in the coming years.
An Introduction to Art Collecting: A history of art collecting and a guide to your first acquisitions.
An Introduction to Art Collecting: A history of art collecting and a guide to your first acquisitions.
Jennifer Strate O’Neal stands in front of a print portfolio from 1985. The Diana Ross bust is by William Scott, whose self-portrait is on the floor, among works by Angela Archuleta, Dan Miller, and Donald Mitchell. The soft sculpture is by Judith Scott and the clay forms are by Charles Nagle.
Jennifer Strate O’Neal stands in front of a print portfolio from 1985. The Diana Ross bust is by William Scott, whose self-portrait is on the floor, among works by Angela Archuleta, Dan Miller, and Donald Mitchell. The soft sculpture is by Judith Scott and the clay forms are by Charles Nagle.