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living rooms

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Architects Marie-Claude Hamelin and Loukas Yiacouvakis connected the home’s three levels in dramatic fashion. Ash treads float on a steel stringer from the ground floor to the mezzanine.
Architects Marie-Claude Hamelin and Loukas Yiacouvakis connected the home’s three levels in dramatic fashion. Ash treads float on a steel stringer from the ground floor to the mezzanine.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.
A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.
“We have all these different destinations,” says Sardinas, a writer who works from her home office. “I’ll be working, get stuck on a passage, and take a break to go read outside.” On the lower roof, red Vegetal chairs by Erwan and Ronan Bouroullec for Vitra provide moments for repose.
“We have all these different destinations,” says Sardinas, a writer who works from her home office. “I’ll be working, get stuck on a passage, and take a break to go read outside.” On the lower roof, red Vegetal chairs by Erwan and Ronan Bouroullec for Vitra provide moments for repose.
The home’s enclosed courtyard sits at “the heart of the structure,” says Baumann, who resides with his wife, Lisa Sardinas, and eight-year-old son, Oskar. “This is clearly the dominant space; everything flexes towards it.” Baumann cast the square concrete floor tiles himself, enlisting the help of his son. A small, neat patch of grass—a playful nod to the archetypal domestic lawn—is edited down to a charming folly.
The home’s enclosed courtyard sits at “the heart of the structure,” says Baumann, who resides with his wife, Lisa Sardinas, and eight-year-old son, Oskar. “This is clearly the dominant space; everything flexes towards it.” Baumann cast the square concrete floor tiles himself, enlisting the help of his son. A small, neat patch of grass—a playful nod to the archetypal domestic lawn—is edited down to a charming folly.
Stuv fireplace and window seat with an up mountain view.
Stuv fireplace and window seat with an up mountain view.
The owners wanted a light-filled home with plenty of waterside views. Gurney also employed Weather Shield Windows & Doors to brighten the structure with varying panes, and he strategically placed the openings for ideal levels of sunlight.
The owners wanted a light-filled home with plenty of waterside views. Gurney also employed Weather Shield Windows & Doors to brighten the structure with varying panes, and he strategically placed the openings for ideal levels of sunlight.
“The finished materials are intended to be neutral and timeless, primarily employing woods and white walls,” says Gurney. “Color was introduced in juxtaposition to the neutrality.” When the sun isn’t shining, a Montigo gas-burning fireplace provides warmth next to neon WGS stools by Gallotti&Radice.
“The finished materials are intended to be neutral and timeless, primarily employing woods and white walls,” says Gurney. “Color was introduced in juxtaposition to the neutrality.” When the sun isn’t shining, a Montigo gas-burning fireplace provides warmth next to neon WGS stools by Gallotti&Radice.
Omer Arbel, the creative director at industrial design firm Bocci, was given three parameters when he began designing a home for his colleague Randy Bishop: Create a “profound” connection between the internal and external spaces; build only one level; and, most crucially, utilize a wealth of 100-year-old beams salvaged from a series of warehouses owned by Bishop’s ancestors.
Omer Arbel, the creative director at industrial design firm Bocci, was given three parameters when he began designing a home for his colleague Randy Bishop: Create a “profound” connection between the internal and external spaces; build only one level; and, most crucially, utilize a wealth of 100-year-old beams salvaged from a series of warehouses owned by Bishop’s ancestors.
Surrounded on all sides by a sweeping Canadian hayfield, the 23.2 House is an angular ode to rural life.
Surrounded on all sides by a sweeping Canadian hayfield, the 23.2 House is an angular ode to rural life.