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Collection by Dave Morin

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Places I wouldn't mind living.

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A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
Fields of native grasses connect the main residence, situated at the top of the slope, to the new structures scattered below. A pergola extends from the post-and-beam structure that was maintained during the remodel of the midcentury home.
Fields of native grasses connect the main residence, situated at the top of the slope, to the new structures scattered below. A pergola extends from the post-and-beam structure that was maintained during the remodel of the midcentury home.
The library is lined in reclaimed spotted gum that Maynard says “brings with it wisdom from its previous life.” A stained glass window by Leigh Schellekens makes the contemplative room feel like a domestic chapel.
The library is lined in reclaimed spotted gum that Maynard says “brings with it wisdom from its previous life.” A stained glass window by Leigh Schellekens makes the contemplative room feel like a domestic chapel.
Douglas fir and Alaskan cedar richly line the interior walls, and the flooring is made of Vermont slate. In the kitchen and dining area, a group of Wishbone chairs by Hans Wegner for Carl Hansen & Søn surrounds a table by local furniture maker Larry Hepler.
Douglas fir and Alaskan cedar richly line the interior walls, and the flooring is made of Vermont slate. In the kitchen and dining area, a group of Wishbone chairs by Hans Wegner for Carl Hansen & Søn surrounds a table by local furniture maker Larry Hepler.
Made of black anodized aluminum with stainless steel hinges, the home’s warehouse-style windows are designed to withstand corrosion. No wood was used on the exterior except for the dock, called a finger pier, which allows access to the front door and the couple’s boat. The home looks out onto downtown San Francisco, with AT&T Park visible from the main deck.
Made of black anodized aluminum with stainless steel hinges, the home’s warehouse-style windows are designed to withstand corrosion. No wood was used on the exterior except for the dock, called a finger pier, which allows access to the front door and the couple’s boat. The home looks out onto downtown San Francisco, with AT&T Park visible from the main deck.
GOC Studio, Floating Sauna, Seattle, Washington
GOC Studio, Floating Sauna, Seattle, Washington
A second-story Dutch door above the canopy ushers in sunlight and breezes. “Light is really important in the Pacific Northwest because it’s dark for most of the year,” says the resident. The cedar-clad facade is pierced with thoughtfully placed windows, which frame views and “actively engage the idiosyncratic nature of the place,” says architect Tom Kundig.
A second-story Dutch door above the canopy ushers in sunlight and breezes. “Light is really important in the Pacific Northwest because it’s dark for most of the year,” says the resident. The cedar-clad facade is pierced with thoughtfully placed windows, which frame views and “actively engage the idiosyncratic nature of the place,” says architect Tom Kundig.
A 606 Universal Shelving System by Dieter Rams for Vitsœ dominates one end of the living room.
A 606 Universal Shelving System by Dieter Rams for Vitsœ dominates one end of the living room.
By carving away some of the hillside, the Deams effectively added an outdoor room to their renovated home.
By carving away some of the hillside, the Deams effectively added an outdoor room to their renovated home.
Architect Burton Baldridge’s design for a house in Austin features a cantilevered upper volume with a gabled profile that was in part inspired by the work of Dutch architects MVRDV. It juts out over the patio, outfitted with chaise longues by Harbour Outdoor and Adirondack chairs by Loll.
Architect Burton Baldridge’s design for a house in Austin features a cantilevered upper volume with a gabled profile that was in part inspired by the work of Dutch architects MVRDV. It juts out over the patio, outfitted with chaise longues by Harbour Outdoor and Adirondack chairs by Loll.
A room at the Ventrice apartment, London, 1936. © Photo Mark Oliver Dell and H. L. Wainwright / Architectural Review – Marcel. Breuer Papers, Archives of American Art, Washington, D.C.
A room at the Ventrice apartment, London, 1936. © Photo Mark Oliver Dell and H. L. Wainwright / Architectural Review – Marcel. Breuer Papers, Archives of American Art, Washington, D.C.
The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.
The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.
The cleaned-up, refined front that was approved by the planning commission would be easily recognized by the house's original inhabitants.
The cleaned-up, refined front that was approved by the planning commission would be easily recognized by the house's original inhabitants.
Using prefabricated elements, Bas van Bolderen Architectuur and Studio Puisto Architects were able to complete the dwelling in just eight months so the couple’s lives could return to normal. Wall elements were constructed in Germany, then transported to the Netherlands, where the house was erected in just one week.
Using prefabricated elements, Bas van Bolderen Architectuur and Studio Puisto Architects were able to complete the dwelling in just eight months so the couple’s lives could return to normal. Wall elements were constructed in Germany, then transported to the Netherlands, where the house was erected in just one week.
Picture 194
Picture 194

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