Collection by STACY LUNARDINI
Lighting
On the interior, the kitchen-and-dining extension features large concrete floor tiles and light-gray concrete blockwork on the walls. Exposed Douglas fir ceiling joists, bespoke birch plywood cabinets, and Corian countertops lend texture to the space. A skylight and tall glass doors that lead to the garden bring in natural light.
The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.
Although strikingly different from its traditional farmhouse exterior, the interiors reference the outer appearance with an exposed solid granite wall in the living room and exposed roof trusses with black plated junctions that recall the artisanal joinery and construction techniques found in traditional Japanese homes.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
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