Collection by Gemma Savage
Architects Simone Carneiro and Alexandre Skaff used materials like cement-tiles and perobinha wood to make a fomerly cramped São Paulo apartment feel more open. Re-envisioning an under-utilized terrace as a lush garden certainly helped as well.
Architects Simone Carneiro and Alexandre Skaff used materials like cement-tiles and perobinha wood to make a fomerly cramped São Paulo apartment feel more open. Re-envisioning an under-utilized terrace as a lush garden certainly helped as well.
The exterior of this 1878 Victorian offers little insight into its new, expansive, light-filled interior. The house even keeps its solar-powered personality under wraps, with its panels tucked neatly (and unnoticeably) behind its low-pitched roof.
The exterior of this 1878 Victorian offers little insight into its new, expansive, light-filled interior. The house even keeps its solar-powered personality under wraps, with its panels tucked neatly (and unnoticeably) behind its low-pitched roof.
Since the room is at the windowless middle of the house, it borrows light from the kitchen, which, despite its pristine Bulthaup cabinetry and hardware, is the laid-back heart of the house. Chong took advantage of the one-and-a-half-height ceiling to establish some well-hidden  storage cabinets.
Since the room is at the windowless middle of the house, it borrows light from the kitchen, which, despite its pristine Bulthaup cabinetry and hardware, is the laid-back heart of the house. Chong took advantage of the one-and-a-half-height ceiling to establish some well-hidden storage cabinets.
In 2013, dedicated British minimalist John Pawson tackled the interior renovation of the 1,000-year-old St. Moritz Church in Augsburg, Germany. While the layout remains traditional, modern touches like a thin onyx coating in place of stained glass add a luminescence that underscores the beauty of the traditional apses.
In 2013, dedicated British minimalist John Pawson tackled the interior renovation of the 1,000-year-old St. Moritz Church in Augsburg, Germany. While the layout remains traditional, modern touches like a thin onyx coating in place of stained glass add a luminescence that underscores the beauty of the traditional apses.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The couple kept original touches, including the arch.
The couple kept original touches, including the arch.