The home consists of three cottage-inspired forms that are connected by a more contemporary, flat-roofed central structure. “One of the main challenges was how to bring the competing aesthetics the clients desired—they sought a simple, historical vernacular architecture with a more contemporary aesthetic,” says architect Matthew Erickson.
For this Long Island project, architect John Patrick Winberry rotated the back of the home ninety degrees, designing the main living spaces around an L-shaped corner. This allowed the building to follow the path of the sun and “interact with the interior,” as Winbury puts it, through an abundance of carefully placed Marvin windows.
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