Collection by Stefanie Dworkin
KITCHEN
Del Gaudio made the pendants in the kitchen from rayon electrical cord, ceramic sockets, and Satco Par38 bulbs. She also designed the kitchen casing, which was fabricated locally in American black walnut left over from the floor. A mix of seating—vintage Paul McCobb Planner Group and newly purchased metal Tolix chairs—are arranged around a dining table from Restoration Hardware.
Lee helped the couple source lighting, like the Nuura Anoli pendants above the kitchen island. “We're constantly having meals at home,” says Serena. “We get a CSA and I like to cook, so it's nice to have a lot of space in the kitchen, and have it be really functional for cooking and entertaining.”
The expanded kitchen has a large central island, with room for prep, seating, storage, and cooking. The cabinetry is a mix of wood, Shinnoki Milk Oak, and white fronts, Fenix NTM Bianco Kos. The terrazzo counters are by Concrete Collaborative. There are two types of tiles: the Mutina Rombini fluted tile on the island and Cepac Krave Sugar Tiles on the backsplash. “It looks very mid-century modern,” says Blaine of the backsplash tile. “But in this application, it also adds that little touch of depth that I think is really important to making the house feel interesting.” The counter stools are from Hay.
The renovated kitchen is open, airy, and connected to the rest of the main level. Plum Projects used Bedrosians Magnifica Luxe polished white porcelain for the island, countertops, and backsplash. The black upper cabinets are made from Richlite: a durable, sustainable material made from recycled paper.
The new kitchen features green kit kat tiles, a terrazzo-effect rubber floor, white cabinetry, and cherry wood veneered cabinets. The client originally wanted teak cabinets, but 4 S Architecture recommended using cherry wood instead as it is more sustainable but has the same warm tones as teak. “We couldn’t get behind teak as a product so we used FSC certified European cherry that has less air miles than American cherry,” explains architect Julia Hamson. “The client was really pleased with the result.”
The clients have a large collection of indoor plants, and 4 S Architecture designed a scheme with plenty of spots to display plants, from the deep windowsills to the semi-recessed extractor above the island that features an integrated shelf. “We had originally specified a fully flush extractor system, but they are very expensive,” says architect, Julia Hamson. “We went for one that is semi-recessed, so was cost effective but still has less visual impact than a dropped extractor.”
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