Collection by Lydia Green
"We needed a place to station the computer, and have one-on-one meetings with clients," explains Efrat of the new study. "However. I didn’t want to make the public space feel dark and small (by subtracting a chunk of it for a designated room). Another constraint was to have acoustic isolation, and the glass-walled room was the perfect solution for all of the above—it made the main living space feel more spacious since it enables light to pass through, yet separated it from the main living space acoustically and effectively."
"We needed a place to station the computer, and have one-on-one meetings with clients," explains Efrat of the new study. "However. I didn’t want to make the public space feel dark and small (by subtracting a chunk of it for a designated room). Another constraint was to have acoustic isolation, and the glass-walled room was the perfect solution for all of the above—it made the main living space feel more spacious since it enables light to pass through, yet separated it from the main living space acoustically and effectively."
Walls were torn down to create a bright, open kitchen.
Walls were torn down to create a bright, open kitchen.
"I tried to decide what are the pieces that are going to give the 'wow' factor—in my case the fishbone tiling of the entire apartment and the glass-walled study room," says Efrat. "Those were the corner stones I started with, and built everything around that."
"I tried to decide what are the pieces that are going to give the 'wow' factor—in my case the fishbone tiling of the entire apartment and the glass-walled study room," says Efrat. "Those were the corner stones I started with, and built everything around that."
A 14-foot-wide opening defines the kitchen, which architect Scott Delano, with Nicholas Pettit, carved out of what had been an enclosed breezeway and part of the garage. The bifold window is from NanaWall, the windows above are by Pella, and  the faucet is by Blanco.
A 14-foot-wide opening defines the kitchen, which architect Scott Delano, with Nicholas Pettit, carved out of what had been an enclosed breezeway and part of the garage. The bifold window is from NanaWall, the windows above are by Pella, and the faucet is by Blanco.
The faucets, which are made of copper plumbing fittings, reference the history of the building and its industrial roots.
The faucets, which are made of copper plumbing fittings, reference the history of the building and its industrial roots.
On/Off Monoblock by Boffi
On/Off Monoblock by Boffi
The appliances are by Miele, and the sink and faucet are by Blanco. In the dining area, a Link Suspension lamp by LZF hangs above the Minotti table and chairs. The artwork is by Nathan Coley.
The appliances are by Miele, and the sink and faucet are by Blanco. In the dining area, a Link Suspension lamp by LZF hangs above the Minotti table and chairs. The artwork is by Nathan Coley.
Get the whole family involved in the kitchen, whether it be teaching young ones a tried-and-true recipe or exploring a new dish together.
Get the whole family involved in the kitchen, whether it be teaching young ones a tried-and-true recipe or exploring a new dish together.
The other centenarian fixtures in the home are the glass light shades in the kitchen. The shades originally hung in an old chapel. The brass bar was designed by the firm.
The other centenarian fixtures in the home are the glass light shades in the kitchen. The shades originally hung in an old chapel. The brass bar was designed by the firm.
In the kitchen, the showstopping ceiling’s herringbone pattern is echoed by the terra-cotta tiles on the floor. Architect Michael O’Sullivan, who designed the steel-and-glass kitchen cabinets, the table, and the pendant lights (made by Lava Glass), further amped up the richness of the room by specifying an onyx kitchen island. Interior designer Yvette Jay, a collaborator and classmate of O’Sullivan, kept her material palette “tight and limited. I had to restrict myself so that everything here ties in with the architecture.”
In the kitchen, the showstopping ceiling’s herringbone pattern is echoed by the terra-cotta tiles on the floor. Architect Michael O’Sullivan, who designed the steel-and-glass kitchen cabinets, the table, and the pendant lights (made by Lava Glass), further amped up the richness of the room by specifying an onyx kitchen island. Interior designer Yvette Jay, a collaborator and classmate of O’Sullivan, kept her material palette “tight and limited. I had to restrict myself so that everything here ties in with the architecture.”
Salminen chose flame birch for the cabinetry for its remarkable wavy wood grain.
Salminen chose flame birch for the cabinetry for its remarkable wavy wood grain.
A Dornbracht tap sits above a custom-built glacier white Corian countertop and sink. The sink is covered by a removable cutting board that can be kept in place for an added work surface, or removed for dedicated sink use. The cutout in the center allows water from the tap to flow straight through to the custom Corian drainer.
A Dornbracht tap sits above a custom-built glacier white Corian countertop and sink. The sink is covered by a removable cutting board that can be kept in place for an added work surface, or removed for dedicated sink use. The cutout in the center allows water from the tap to flow straight through to the custom Corian drainer.
The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Photo by: Matthew Williams
The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Photo by: Matthew Williams
RUG DESIGNER NANI MARQUINA'S SERENE HOME IN IBIZA

Jamaica barstools by Pepe Cortès for Knoll and two Ikea pendants pair nicely with the plaster walls, restored wooden beam ceilings, and polished cement floors in the kitchen. Photo by Albert Font.
RUG DESIGNER NANI MARQUINA'S SERENE HOME IN IBIZA Jamaica barstools by Pepe Cortès for Knoll and two Ikea pendants pair nicely with the plaster walls, restored wooden beam ceilings, and polished cement floors in the kitchen. Photo by Albert Font.
Just because your kitchen is on the smaller side doesn’t mean you can’t make it as efficient and effective as possible.
Just because your kitchen is on the smaller side doesn’t mean you can’t make it as efficient and effective as possible.
We reconfigured the kitchen layout so that it is open to the main living and dining area. The new finishes included white oak flooring, painted wood millwork, and stone counters.
We reconfigured the kitchen layout so that it is open to the main living and dining area. The new finishes included white oak flooring, painted wood millwork, and stone counters.

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